It was meant to become a new neighbourhood immediately after the 2006 Games. Instead, Turin’s Olympic Village went through years of abandonment, occupations and delayed redevelopment — a story that has become relevant again after Milano-Cortina 2026.
In the March issue, guest editor Ma Yansong explores architecture as a collective process, from Elizabeth Diller's projects to the floating platform for the Muyuna Fest in the Amazon.
The project for the New Ontario Science Centre has been officially unveiled: conceived by Snøhetta and Hariri Pontarini, this science museum on the lake will complement the restoration of the Cinesphere, the inaugural permanent Imax cinema.
Design and trends for outdoor living spaces
The future of The Line, the visionary urban project planned within the NEOM megacity, appears to have been scaled back to be linked to the development of digital infrastructure and the AI industry.
You can share your work through the function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
Near Milan, the studio revisits the construction techniques of traditional Lombard farmhouses in the renovation of a 20th-century courtyard house, where even the home’s everyday functioning — from heating to maintenance — becomes a shared project.
A duplex inside the Unité d’Habitation remains close to its original condition, with Charlotte Perriand’s kitchen, characteristic colors and double-height spaces opening onto the landscape. Some renovation may be needed, but the chance to live inside Modernism is rare.
QB Atelier has designed a home in Veneto that occupies the spaces of a 20th-century factory and opens onto a secret garden.
The new platform aggregates public domain films: in the catalog are classics such as Metropolis, The Cabinet of Dr. Caligari, Kubrick's first film, and rare gems of animation and silent cinema.
Carlo Scarpa’s most celebrated work in San Vito d’Altivole, now part of the FAI heritage sites, will gain a new multifunctional pavilion designed by AMDL Circle.
On the anniversary of Michelangelo’s birth, a portrait of an impossible man: a ferocious temperament, a profound solitude, and an art born from the conflict between form and matter.
Designed by Vipp and Johnston Marklee, the guest house combines the rigour of concrete with the peaceful atmosphere of Scandinavian interiors.
From Milan to Pistoia, Venice to Gibellina, spanning painting, photography, design, and architecture: Domus has selected the exhibitions to add to your calendar for the beginning of spring.
From interdisciplinary collaboration to the direct involvement of communities: in the March issue editorial, Domus guest editor Ma Yansong explores architectural design as a collective process, moving away from the myth of the solitary author.
Among the most interesting designers of his generation, Philippe Malouin has created a new moka pot that celebrates the ritual of coffee through the unexpected form of a screw.
With the new Phone (4a) and Headphone (a), Nothing reinforces a strategy that goes against the grain: no new flagship in 2026, a strong focus on the mid-range, and a design language built on colour, transparency, and luminous interfaces on the back of its phones. Global Design Director Adam Bates discussed the approach with Domus.
In Nakano, one of Tokyo's 23 special wards, an elevated walkway introduces the house-studio designed by Hiroyuki Oinuma of HOAA Studio. The path continues inside the building.
With a new monographic volume published by Skira and two exhibitions currently on view in Milan, the spotlight returns to South African artist William Kentridge. Domus met him.
Powerful enough, colourful and fun, and cheap like no Mac before it. Apple's latest portable computer is a perfect exercise in design compromise.
Adapted from the novel by Orhan Pamuk, the series turns love into an archive and collecting into a form of survival: memory is not preserved by people, but by the things they touched.
A cremation urn with a built-in Bluetooth speaker that holds your ashes while playing your playlist—even after you’re gone: a project by Spotify and Liquid Death.
The regeneration of this twentieth-century distillery on the Ionian Sea continues: already operating as a hotel since 2019, the property has just expanded its footprint.
Don’t expect touchscreens or space-age metals: the most famous piece of wood in the art market has survived centuries and the digital bubble, and has now been reimagined by the celebrated designer in a minimal, monomaterial and deeply analog aesthetic.
Shift Landmark is the name of a €240 million complex set to rise in Rotterdam, to be designed by one of five shortlisted studios. Its ambition? To make sustainability something people can actually experience.
We’ve selected the most emblematic footwear models from the brand founded by Rudolf Dassler, recently brought under the control of the Chinese sportswear giant Anta.
The Museo del Genio in Rome presents a major retrospective dedicated to the father of French humanist photography: 140 works retrace the entire career of a photographer who shaped the timeless image of Paris.
With a documentary shot entirely on iPhone, director Francesca Comencini returns to Scampia after Gomorrah to bring the Vele back to their simplest and most radical dimension: home.
A 2013 licensing agreement and a recent ruling by the UK Court of Appeal have opened the possibility that Zaha Hadid Architects may drop its founder’s name, ten years after her death.
With Casa dos Muros, SET Arq has transformed limitations into opportunities. The project is set between two existing stone walls and around a tree, creating a play of solids, voids, and transparencies.
Sixty years of Chicana photography are on view in Los Angeles, forming a powerful visual archive that tells a long-overlooked story. Curator Elizabeth Ferrer speaks to Domus about reclaiming a history that has too often remained at the margins.
More than modernist icons, the Neutra VDL House and the Galka Scheyer House operate as living platforms for Los Angeles’ art scene. We visited them during Frieze Week to see how exhibitions, residencies and gatherings activate these historic spaces.
Between dazzling ice, sky-blue–yellow–green gradients, and bodies wrapped like ultra-tech cosplayers, the Games have built a universe suspended somewhere between West Side Story and K-Pop. Now the real test is the Paralympics’ visual identity: less spectacle, more reality.
