Invite you to meet THE 2026 GUEST EDITOR OF DOMUS
APRIL 22 AT 5:00 PM POLITECNICO DI MILANO
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After years of questionable renovations, Park spoke to Domus about the retrofitting of Palazzo Galbani during our visit to the construction site. For just four days, part of the building will be open to the public during Paris Internationale.
The WF-1000XM6 promise ergonomics, adaptability, and comfort in the press release. But in reality, they return to being visible, present—almost intrusive: an object that no longer hides, and in doing so reopens a design question that seemed settled.
The Japanese-born, US-based architect, who served as a guest editor of Domus in 2023, becomes the first woman ever to receive the award. It also marks the long-awaited return of architecture as the honored discipline — and not by chance.
Developed by Pierluigi Fucci, the space transformed by Xinao textiles also offers a chance to discover another of Milan’s hidden courtyards.
You can share your work through the function by Domus where you can upload your architecture, design, interior, graphics, illustration, photography and art projects.
Four thousand years of ornaments tell how jewelry has always constructed identity, status and representation, transforming the body into a public language.
With About Silk, Ai Weiwei marks his first foray into furnishing textiles, presenting a site-specific work at Fuorisalone that uses silk as a symbolic material bridging East and West.
For two days during Milan Design Week, a temporary tea house by Cromo opens the terrace of Torre Velasca to the public, transforming the BBPR-designed landmark into a space suspended between ritual, design, and a new urban perspective.
From Citlali Fabián’s win to the presence of Joel Meyerowitz, the SWPA 2026 celebrate a deeply human photography, strikingly distant from the AI-driven discourse dominating the industry.
On the eve of Milan Design Week, the city reactivates an ancient gesture: opening what is hidden and transforming objects and spaces into a collective ritual, where design becomes an opportunity to see - and recognize - together.
European-style hybrid venues, metal counters, and a return to the classic Italian bar: Milan’s latest openings sketch a sharp portrait of a city that has changed radically over the past year—right on the eve of Design Week.
From the transformation of a modernist exhibition hall in Charleroi to temporary spaces for Slovenia’s national theatre, the EUmies Awards 2026 winners point to a clear direction for contemporary architecture.
Small, stabilised, always ready: with Osmo Pocket 4, DJI updates a device that has gradually become an implicit standard for video production, across the creator economy, social platforms, and fast, frictionless workflows.
In Milan, within the regenerated spaces of BiM, Gianni Pettena reactivates Paper and reasserts a radical stance: architecture is not something you design – it is something you build, and above all, something you live.
An insider’s guide to Milan Design Week 2026: what’s actually changing across new geographies, strategic returns, standout brands, and a Salone that has chosen to consolidate and redefine its role.
Following the February announcement, the space dedicated to Gio Ponti within ADI Design Museum enters its operational phase: a permanent public space that moves beyond a purely celebratory approach, expected to open by the end of 2026.
From ephemeral restaurants to station kiosks, pop-ups are turning retail into a flexible, intermittent system. But this increasingly widespread logic is also reshaping how cities are built, experienced, and remembered.
Designed for camping and outdoor life, the brand's new products are designed to be easy to use, intuitive, safe and truly inclusive, adapting to different needs and bodies.
In collaboration with Lehni, Rimowa unveils at the Fuorisalone two aluminum furniture pieces designed to finally give its suitcases a place in the home, transforming them from objects in transit into items worthy of display.
The fair at Rho — the heart of Milan Design Week — remains a perfect machine. But between a city taking center stage and new sections, its balance is shifting.
On Old Bond Street, Ferrari redefines the idea of a flagship as a cultural device: a layered environment where architecture, display, and brand identity converge. Through interviews with Rocco Iannone, Formafantasma and Gonzalez Haase, the project emerges less as a store than as a staged Officina of design.
In Whittier, Alaska, almost the entire population lives in the same building: an extreme case that makes the modern idea of the self-sufficient building concrete — and problematic — from Le Corbusier's Immeuble-villa to its contemporary developments.
From Prada to Louis Vuitton, and from Issey Miyake to Jil Sander: through temporary libraries, archives, and immersive installations, fashion brands — from Hermès to Nike — are no longer supporting design, but reshaping its languages, spaces, and audiences.
During miart on 18 and 19 April, the Fondazione Fiera Milano will open its contemporary art collection to the public. Guided tours will be held inside the historic Milanese Palazzina degli Orafi building, revealing a body of works that is usually inaccessible.
With Shape of Dreams, Spike Jonze, the director of Her, creates a new film for On, the Swiss sportswear brand, with Zendaya, once again transforming brand storytelling through body, choreography, and imagination.
At Schiphol, People’s Clock is a new permanent installation by Maarten Baas: a functioning clock built through the collective choreography of a thousand people, turning time into a visible process.
Every April, the well-known event brings attention back to a valley that—between cultural institutions, modernist architecture, and a desert landscape—has much to offer regardless of the concerts.
In Trento, the exhibition “Hit List 80. Design, interface, colour” revisits the 1980s through Memphis and a local scene where design, architecture, and image converge—revealing how our contemporary understanding of objects took shape.
From sensory memory to material reconstruction, Memo. Souvenirs du futur stages a form of design that moves between loss and repair, turning the climate crisis into a field of action.
It’s not artificial intelligence that’s the problem, but the logic already shaping music, fashion, and images: from Spotify to Margiela, today’s most compelling artists are those who derail the algorithm—even when they use it.
From the Gaudí Year and the unveiling of the Sagrada Família’s tallest tower to more than 1,500 events across the city, Barcelona becomes the World Capital of Architecture 2026 with a programme that unfolds month by month across public space, sustainability, and experimentation.
With the Karst Finch model, developed alongside Satoshi Kondo, the collaboration between Camper and Issey Miyake continues to push forward a vision of footwear increasingly rooted in movement, use, and a design culture that goes beyond fashion.
From Andrés Jaque’s transspecies installations to Balkrishna Doshi’s sensory pavilion at the Vitra Campus, and on to a museum-temple in Vietnam, in its April issue Domus positions the body as the new frontier of contemporary architecture.
