New openings, expected returns, and ongoing exhibitions to see in January in European capitals at all latitudes of the Old Continent: from Madrid to Reykjavík, via Rome and Stockholm.
The Belìce earthquake strikes the Sicilian town in the late 1960s, prompting Ludovico Corrao to entrust its reconstruction to artists such as Alberto Burri. This marks a unique case of urban regeneration in Italian history, it is what today makes Gibellina Italy’s Capital of Contemporary Art 2026.
Two exhibitions in two of the city's leading museums, the Maxxi and the Macro, try to take the capital out of myth and put it back into the global present. With visions that come from two different planets.
The Albanian artist, highly praised by football stars such as Totti and Cristiano Ronaldo, is working on Clio, an intervention likely to become one of the most controversial artistic operations of recent years.
From the Golden Globes to Masaccio, from Hollywood to the Renaissance: cinema is the true heir to painting, which invented framing, editing and suspense centuries before film.
We don’t inhabit environments, we are the environment
We interviewed the Chief Curator of the 13th Shanghai Biennale, entitled “Bodies of Water” who describes Biennale’s as reality-sensing-devices.
With Waiting for Palms, Peter Ydeen moves his photography from the streets of industrial America to the sandy architectures of Morocco and Egypt, opening a reflection on looking, stereotypes, and the responsibility of seeing.
From Large Nature Models to immersive public art, Refik Anadol meets Domus to talk about his exploration of artificial intelligence as a cultural language.
Clementine Keith-Roach and Christopher Page's new design for Villa Lontana transforms an interior into a walk-through work of art.
From local art and design centers to monumental new museums, luxury hotels and the revival of traditional crafts, AlUla is emerging as a new global hub for culture.
Collective rituals, architectures of attention, and images that look back at us. Who is the American artist behind the new work installed at Pista 500 at Pinacoteca Agnelli, in collaboration with Juventus.
From the reopening of Voce to the political and social questions raised by the latest International Exhibition, Triennale Milano’s general manager Carla Morogallo speaks to Domus about the profound transformation the institution at Parco Sempione has undergone over the past year.
A new photobook retraces twenty years of fieldwork by the world’s leading expert on Ghanaian funerary culture. Regula Tschumi has travelled across the country in search of the most extraordinary coffins — and now warns against their growing spectacularization for Western audiences.
