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285 - August 1953
La torre della Permanente (rivestimento in "Litoceramica Piccinelli"), arch.tti A. e P.G. Castiglioni e L. Fratino, ing. M. Cavallé
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576 - November 1977
Padiglione polivalente nel cortile di una scuola di Graz-Heggenberg (Austria), arch. Domenig
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286 - September 1953
Il padiglione della moda nel parco del castello di Stupinigi (copertura in tela "Olona" della Eliotona, struttura tubolare ditta Marzoli), studio B.P.R.
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1015 - July 2017
Elaborazione grafica di un disegno di Frank Lloyd Wright
per il Larkin Building di Buffalo, New York, 1902-1906. Prospettiva e dettaglio della pianta, 1930 circa.
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1016 - September 2017
Elaborazione grafica di un disegno di Enzo Cucchi. Nel centenario della nascita di Ettore Sottsass, l’artista e amico gli rende omaggio proprio sulla sua Domus con un disegno Sottsass”, 2017 (penna bic su carta, 5,5 x 4,5 cm) –
e con un pensiero: “Si nasce con la parola”, che entra fin dentro le pagine della rivista.
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726 - April 1991
Mimmo Jodice fotografo; Progetto per il centro storico di Venezia, studio Gregotti e Associati
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126 - June 1938
Servizio da tavola di Richard-Ginori in terraglia dolce decorato a pennello, posate di Krupp
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1044 - March 2020
In October 2017, on the Otay Mesa, a barren patch of land near San Diego, President Donald Trump unveiled eight prototype sections of free-standing wall. These were designed to be tested along the US-Mexican border, the fortification of which was a pillar of Trump’s election campaign. While a border wall is widely seen as an ineffective, symbolic solution to what conservatives consider to be the United States’ immigration problem, these prototypes represented Trump’s determination to follow through on the promises that got him elected. Built at a cost of 3.3 million dollars in federal funds, the competing prototypes [later dismantled, see photo], if commissioned, would constitute a monumental contract for the winning company. The prototype chosen for this issue’s cover by Thomas Demand was produced by Elta North America, a defence manufacturer based in Maryland and owned by Israel Aerospace Industries. The flow of capital and military resources between the US and Israel lends this prototype a further layer of symbolism – urging a loaded comparison with the defence of Israel’s borders against states which threaten its very existence. Trump – a real estate developer and a social climber – has built a fortune on the design and sale of aspirational structures. In October 2018, he described his intended wall as “artistically designed steel slats”; Demand observes that Elta’s design mirrors the Renaissance convention of the piano nobile sitting above the humbler ground floor. All the prototypes turned out to be far from impregnable, so, as with many of Demand’s subjects, these models were impossible fantasies.
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88 - April 1935
Studio di casa M. a Milano, arch. G. Palanti, mobili in frassino di Meroni e Fossati
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238 - July 1949
Particolare della "Macchina Infernale", J. Cocteau (scene di R. Ricas, tessuti di F. Cheti)
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442 - September 1966
Ambiente di specchi di Nanda Vigo nella "Sala Espressioni" Ideal Standard a Milano
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139 - July 1939
Guanti in tulle ricamato della Ars Panicalensis presentati alla IX Mostra dell'artigianato di Firenze
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92 - August 1935
Studio del direttore del "Popolo d'Italia" arredato da Parma su disegno dell'arch. Pagano
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1011 - March 2017
elaborazione grafica di uno schizzo di progetto di Peter Salter
per il complesso residenziale Walmer Yard di Londra.
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291 - February 1954
Progetto di rivestimento della piscina del roof-Garden dell'Hotel Royal di Napoli, Gio Ponti
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98 - February 1936
Vetrata di Luigi Fontana su cartone di Gio Ponti nella biblioteca del palazzo della scuola di matematica alla città universitaria di Roma