The architect, graphic designer and co-founder of Gregotti Associati passed away at the age of 83. We remember him by going back to the highly personal account of Milan he had shared with Domus in 2014, diving deep into the multiple and hidden identities of the city.
A project in Belgium by Sottsass and Johanna Grawunder from the Domus archive, housing a collection, and a multitude of endangered bird species.
The great designer has left us, aged 61. Domus goes back 20 years to a conversation with him and his brother Humberto in Brasilia, talking spontaneity, imperfection, vitality and street life.
For more than half a century, an experimental settlement on the dunes near Valparaíso, Chile, has been exploring the combination of poetry, teaching and architectural creation: in 1997, Domus chose to join this vision as a manifesto for social sustainability.
All editorials written exclusively for Domus by the great French philosopher, sociologist and anthropologist.
Ceramic or plexiglas, red, green, soft or compact bathrooms. The bathroom tells us more about the people who live in the house than we think. A journey through the archives to discover the evolution of the most private room in the domestic space.
An immersion in the Domus archive tells us about the rise and evolution of the charismatic figure of the Genoese architect, between professional philosophy, social commitment, and global practice.
Ten years after the great Italian designer’s passing, Domus goes back through the archives to the apartment she conceived in Milan, a radical environment built around an art collection.
Two pneumatic worlds, between Ibiza and Seville, the Instant City and a skating facility, tell the story on the 1970s Domus of the Spanish experimental scene and a new free relationship between the body, the environment, and the built space.
An image, an ocean of surprises. We spoke with the famous Italian illustrator, whom we involved in designing a campaign for a real treasure: our archive.
On the occasion of a new exhibition in Milan, we return to art critic Pierre Restany’s portrait of the great Franco-German artist, published on Domus back in 1975.
