Arata Isozaki, Jean Michel Basquiat, Francesco Clemente and Keith Haring: an art-architecture dream team put their names on the New York club heir to Studio 54, presented on Domus in 1985.
Stone, light and water: the elements of a project that would soon become a reference for entire generations of architectural designers, presented on Domus in 1997.
From the Domus archive, one of the first projects that combined infrastructure, the power of authorship in architectural design, and the iconic value of urban architecture, involving names such as Norman Foster and Will Alsop.
In the late 70s, the designer of less, but better formulated his decalogue. In 1993 he shared with Domus an interpretation of these principles.
All editorials written exclusively for Domus by the great French philosopher, sociologist and anthropologist.
“You always need someone to spread panic if, that is, you want things constantly shown up for what they are”: with these words, Ettore Sottsass introduced the radical Italian group in a 1967 issue of Domus.
From Nature-Carpets to his research in Parco Arte Vivente, the artist who left us at 80 last March 5 had a long and intense exchange with Domus: we remember him in a conversation with Lea Vergine in February 1981.
From the 1960s onwards, the environments conceived for fashion and those for dancing seemed to overlap through utopian and dreamlike design projects: we traced this journey across the Domus archive.
In 1993, Kenneth Frampton analyzed for Domus a building with non-iconic appearances, that would nonetheless help the Dutch city reposition on the avant-garde front.
From the Domus archive, the long design journey that led Frank O. Gehry to define the architectural “sibling” to the Guggenheim Bilbao, which resulted even more complex in its relationship with people and the city.
