In the editorial of the new issue of Domus, guest editor Tadao Ando explains how the conservation of architectural works is not only a necessity, but also a creative means. This essay by the Japanese architect is followed by two more, both dedicated to the main themes of this issue: in his piece, Pierre-Antoine Gatier explains the practice of restoration by respecting the originality of the works. Massimo Faiferri talks about the projects of Lacaton & Vassal Architectes, awarded this year with the Pritzker Prize and known for their renovations sensitive to the authenticity of the spaces.
Domus 1059 is on newsstands: a double issue dedicated to restoration and conservation
In the July and August issue, we explore the challenges, methods and processes behind the redevelopment of architectural spaces, and much more. Browse the gallery to leaf through the magazine.
Text Tadao Ando. In the photo the Great Court of the British Museum, Foster + Partners. Photo Nigel Young / Foster + Partners
Text Pierre-Antoine Gatier. In the photo Fondation Vasarely, Aix-en-Provence, France. Courtesy Wikimedia Commons
Text Massimo Faiferri. In the photo Palais de Tokyo, in Paris. Photo Jean-Pierre Dalbéra on Flickr
All project materials courtesy of Cecilia Puga, Paula Velasco, Alberto Moletto. Photos Felipe Fontecilla
All project materials courtesy Atelier Masōmī, Yasaman Esmaili. Photos James Wang
All project materials courtesy of Kazuyo Sejima + Ryue Nishizawa / SANAA. Photo Pierre-Olivier Deschamps, Agence VU’
All project materials courtesy Gambardellarchitetti. Photo Andrea Martiradonna
All project materials courtesy Herzog & de Meuron. Photo Photos Nacása & Partners
All project materials courtesy Kokaistudios. Photos Terrence Zhang
Text Caroline Corbetta. In the photo Mega Death, Tatsuo Miyajima, MCA Australia, 1999-2016 . Photo Alex Davis
Text Annarita Aversa. Photos Omar Golli
In the photo Steven Holl Architects, Obolin, Art Omi, Ghent, New York 2020.
Text Carlo D'Ercole. Photo Valentina Petrucci
Text Valentina Petrucci. Photo Suicoke
Text Elena Sommariva. Photo Tian Fang Fang
Text Fulvio Irace. Photo Giulia Di Lenarda
Text Cristina Moro. Drawing courtesy Gio Ponti Archives
Text Walter Mariotti. In the photo the studio of the artisan Studi Nicoli in Carrara. Photo Michele Ambrogi
In the photo Eero Saarinen, TWA Flight Center, New York, USA, 1962.
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- 09 July 2021
In the Architecture section we dig deeper into restorations with 6 projects from around the world; in Chile, a 19th century neoclassical style building is converted to accomodate the Chilean Constituent Assembly; Atelier Masōmī restores an ancient mosque in Niger, transforming it into a library; we explore in detail the long-awaited redevelopment of the Parisian department store Le Samaritaine by the hand of Kazuyo Sejima + Ryue Nishizawa / SANAA; in Italy Gambardellarchitetti intervenes on the Casa del Fascio in Lissone, handing this rationalist structure back to the local community. In Tokyo Herzog & de Meuron for the clothing brand Uniqlo reinterprets the facade of a building from the 1980s while maintaining its original structure intact; in China, the architects of Kokaistudios recover a dilapidated steel factory and integrate exhibition (and work) spaces with a luminescent facade.
In the Art section we meet the two artists Tatsuo Miyajima and Es Devlin, who, through light installations, shapes and colors capture the different shades of the concept of “time”. We then discover a collection of furniture pieces inspired by the vernacular houses of the Mediterranean in the Design section.
The Creators column poses the question “How can we bridge time?” to famous artists and designers: Manuel Aires Mateus, Paul Smith, Balkrishna Doshi, Jean Nouvel, Neri Oxman, Thom Mayne, Sou Fujimoto, Dominique Perrault, Steven Holl and John Pawson elaborate their ideas through drawings, photographs and words.
In the section Around the Project, we discover the design and history of the Citroën DS, the historic car resulting from the collaboration between French technicians and Italian designers; we return to Milan to visit Studio Albori, known for its conservation and restoration projects.
In this month’s Diary: at the Round Table with Nicola Russi, Angelica Sylos Labini, Jonathan Olivares and Marianna Fantoni we talk about the future of the workplaces and how they are changing, starting from the question “Post-pandemic, will offices of the future be outdoors?”. In the column House like me we enter the Bolognese residence of the Italian trumpeter Paolo Fresu, amidst design furnishings and works of art by friends Pilar Gómez Cossío, Salvatore Ravo and Greta Frau. This is followed by an interview with Enrico Pasi, general manager of Suicoke, the well-known Japanese footwear brand, on the reinterpretation of sandals and the role of japanese aesthetics on Western art.
In Points of view, the 2021 Venice Architecture Biennale is at the center of the debate. The main themes are sustainability and the choices of curator Hashim Sarkis, and his “interpretation measurable by the paradoxical removal of architecture itself”. This is followed by pages dedicated to architecture for kids, to new (and old) talents in the field of design and craftsmanship, to recycled materials and finally a reflection on the famous Gio Ponti De-lux lamp. The Diary closes with a conversation between the editorial director of Domus Walter Mariotti and Irene Tinagli, Italian MEP and urban economist, on post-Covid cities, macroeconomics and “the opportunity not to repeat the mistakes made in the past”.
Attached to this double issue, the second number of DomusAir, a special dedicated entirely to transportation and connections of the post-Covid era. The focus of the issue is “The global debate on the future of mobility” and is divided into 5 sections: Hot Tips, topics, ideas and people at the forefront of the field of transport and aviation; Projects, ongoing projects for stations, airports and bridges around the world; Technology, or digital innovation as an engine of change, drones and hydrogen-powered trains; Sustainability, on the global impact of interconnections; and finally Take Off, an essay by Giulio De Carli on the construction of the infrastructures of the future.
“In the spiritual world there are no time divisions such as the past, present and future; for they have contracted themselves into a single moment of the present where life quivers in its true sense. The past and the future are both rolled up in this present moment of illumination, and this present moment is not something standing still with all its contents, for it ceaselessly moves on.” D.T. Suzuki, On Indian Mahayana Buddhism, Harper & Row, 1968. (Quotation translated into Italian by Domus).
The practice of restoration boasts famous and disparate models, all valid and providing inspiration for the pursuit of a personal path. It is vital to conserve the gift of history and minimise the impact of any action if we are to relay the authenticity of a construction.
Characterised by a strong sense of belonging to the urban life, works by Lacaton & Vassal Architectes celebrate the relative nature of architectural design that is antiauthoritarian and open to different forms and uses.
The private palace has been converted into one of the seats of the Constituent Assembly: the choices of materials and forms are inspired by its current public function.
The mosque converted into a library shares its site with a new house of worship and includes a study space with contemporary features.
After a long restoration, the grand magasin symbolising French luxury is open again. The various parts of the historical complex have been linked via a series of present-day grafts.
The project provided an opportunity to reinterpret Giuseppe Terragni’s design choices as well as the building’s ‘possible’ stratigraphy, while also restoring its public dimension.
The project brings to the foreground the structural frame of the original 1980s building, which now opens up to the city and invites it inside.
The new exhibition centre recovers a fragment of the city’s industrial past, using light to accentuate how the polycarbonate volume has been embedded in the former factory.
A universal flow in which every living being is immersed with a different awareness, time is the focus in the work of two artists with very distant.
The collection designed by Annarita Aversa for the Giustini / Stagetti gallery stems from a study of the vernacular houses on the Amalfi Coast and the furnishings were conceived as mobile parts of the architecture, a natural extension of the age-old space, respecting and completing it.
Steven Holl: "Three cut-outs subtracted from spherical geographymark the exact location of the sun’s vector based on its Hudson Valley location at noon on the summer and winter solstices, and at 2:00pm on the equinox."
In the trumpet player’s home in Bologna nothing is out of place and neatness reigns supreme, among the works of his Cantabrian and Neapolitan friends – Pilar Gómez Cossío and Salvatore Ravo – and the Sardinian artists Primo Pantoli and Greta Frau.
Rethinking an object full of history: Enrico Pasi and Suicoke sandals.
A retro-futurist playground in the Beijing suburbs.
The Venice Biennale and the removal of architecture.
Gio Ponti, thoughts about a lamp.
Conversation with Irene Tinagli on cities and their development. And, also, on the Italian territory, a generator of beauty and wealth that is widely admired.
Projects, technology, and sustainability: Domus presents a special issue on aviation, infrastructures and connections in the post-Covid era.