Among the essays in Umberto Eco’s collection Il secondo diario minimo (Milan, Bompiani, 1992), in the chapter devoted to “Instructions for Use,” there is one titled How to Justify a Private Library. Here, the author frees from guilt anyone who, upon entering a bookstore, is struck by a kind of Stendhal syndrome mixed with literary FOMO, and feels an urgent desire to buy new books for their private collection, even while knowing they won’t be able to read them right away. Accumulating books, Eco says, is a way of building a personal reserve of knowledge: texts to consult, others to begin in the future, and many that will remain on moderately dusty shelves waiting for the right moment to be opened. This is certainly one of the reasons why the physical book continues to exert its charm, despite the spread of e-readers and digital devices. Also thanks to a broader renewed interest in the analog — as has happened with vinyl records, cassette tapes, and film photography — the book maintains a material presence that also involves the particularity of the place where it is purchased. In this context, bookstores become even more important as spaces that directly shape the experience of discovery, selection, and the pleasure of buying.
20 bookstores to see at least once in a lifetime
From Lisbon to Shanghai, Domus has selected twenty bookstores to discover, ranging from projects by major architects to extraordinary experiments.
Musée Yves Saint Laurent Marrakech, Rue Yves Saint Laurent, 40000 Marrakech
Avenida Revolución 1500, Colonia Guadalupe Inn, Mexico City
Tonglu County, Hangzhou, Zhejiang, China
Dominicanerkerkstraat 1, 6211 CZ Maastricht, Netherlands
Tangkou, Kaiping City, Guangdong Province, China
83–84 Marylebone High Street, London W1U 4QW
Av. Santa Fe 1860, C1123 Buenos Aires
9 Rue de Grenelle, Paris
No. 1 Zhizhen Road, 2F Chengdu Rongchuanmao Mall, Dujiangyan
Keskuskatu 1 / Pohjoisesplanadi 39, 00100 Helsinki
Los Lobos between República Argentina and José Ignacio, La Juanita, Maldonado Department, Uruguay
77 Rue Charlot, 75003 Paris
Calle del Aviador Zorita 48, Tetuán, 28020 Madrid
Via Cesare Battisti 11/D, 10123 Turin
901 W. Lafayette Blvd., Detroit, MI 48226
37 Rue de la Bûcherie, 75005 Paris
261 Columbus Ave, San Francisco, CA 94133
210 S 52nd St, Philadelphia, PA 19139
66 Marchmont St, London WC1N 1AB
26 Long St, Cape Town
Along the banks of the Seine, around Île de la Cité and Île Saint-Louis — on the Right Bank from Pont Marie to Quai du Louvre, and on the Left Bank from Quai de la Tournelle to Quai Voltaire
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- Carla Tozzi
- 27 January 2026
Some bookstores across the five continents stand out for a variety of reasons. For example, Tiny Tiny Bookstore in Japan is recognized by Guinness World Records as the smallest bookstore in the world, where, due to its size and book selection, only children can enter; Livraria Bertrand, located at 73 Rua Garrett in Lisbon, is the oldest bookstore in the world still in operation, founded in 1732; while on Mont Blanc, at the Punta Helbronner station, there is laFeltrinelli 3466, the highest bookstore in Europe at 3,466 meters above sea level, inaugurated in 2019. It’s also impossible not to mention the “18 miles of books” at Strand Bookstore in New York, the only survivor of Book Row, a city district where, between the late nineteenth century and the 1960s, more than thirty bookshops once stood. Among the countries that in recent decades have seen the opening of bookstores in incredible purpose-built structures, China certainly stands out. In Qianhai there is the largest bookstore in the world, with its 131,000 square meters: the Eye of the Bay Area, housing 300,000 volumes divided into nearly 100,000 thematic categories. This futuristic architecture integrates different thematic spaces such as the Art Garden, the Cultural Kaleidoscope for the humanities, a theater, exhibition galleries, and a science fiction center, anticipating the contemporary Chinese model of the bookstore as a hybrid space and cultural destination. At the same time, numerous bookstores are part of urban or rural regeneration programs, contributing to the recovery of existing buildings or the reactivation of small towns, often in direct dialogue with the natural landscape.
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
Photo © pepe fotografia
It may seem contradictory that in China — known for its censorship regulations, especially regarding political content — bookstores are the protagonists of ambitious architectural projects, but this is not an isolated case. In Tehran, in 2017, one of the world’s largest buildings dedicated to reading opened: the Tehran Book Garden. Although Iran has imposed very strict censorship, including on literary works allowed to circulate in the country — from which even The Da Vinci Code and James Joyce’s Ulysses have not escaped — Iran is one of the countries in the Middle East with the highest literacy rate (over 90% in 2025). For this reason, the construction of an architectural complex such as the Book Garden — covering an area of 100,000 square meters and housing over 200,000 volumes, both for consultation and for sale — should not be surprising.
And if, alas, someone wonders whether we still need bookstores in the twenty-first century, it is worth remembering that bookshops, in addition to being commercial activities, are also civic institutions that can become synonymous with resistance. One example is the story of the Oscar Wilde Memorial Bookshop in New York, the first bookstore dedicated to authors from the queer community, opened in 1967 and closed in 2009. It was founded by activist Craig L. Rodwell, one of the promoters of New York’s first Gay Pride and a key figure in the LGBTQ+ liberation movement before and after Stonewall. For more recent confirmation, one need only look at what is happening in Ukraine, where, since the beginning of the war, dozens of new bookstores have opened, including Sens bookstore in 2024, the largest in the country, in the heart of Kyiv.
Today, the possibility of telling an ever wider audience the stories behind independent bookstores around the world, and the architectural experiments behind increasingly extraordinary bookshops, is turning stores for books and magazines into destinations to be included in travel itineraries, also thanks to major luxury brands and publishers with strong identities who choose to invest in this sector. Domus presents twenty bookstores to visit at least once in a lifetime, selected for the architectural value of their spaces, their history, and the way they interpret the relationship between publishing, design, and the context of use.
On September 26, 1966, on Rue de Tournon in Paris, on the Left Bank of the Seine, Yves Saint Laurent opened his first ready-to-wear boutique. The interior design was entrusted to Isabelle Hebey, who chose deep red partition walls, Akari lamps by Isamu Noguchi, furniture designed by Olivier Mourgue, and sculptures by Niki de Saint Phalle. This radically modern interior, groundbreaking for its time, inspired the design of the bookshop at the Musée Yves Saint Laurent in Marrakech, housed within the Studio KO–designed building. The Moroccan version rigorously reprises the character of the original: saturated wall colors, aluminum display cases, Mourgue’s furnishings, and Noguchi’s iconic paper lamps. Located at the end of the museum route, the bookshop extends the visitor experience through a curated selection of volumes dedicated to Yves Saint Laurent, fashion, Morocco, and the museum’s programming.
The idea at the core of architect Eduardo Aizenman’s project for Cafebrería El Péndulo San Ángel in Mexico City is the ancient Greek agora, conceived as a place of gathering and the heart of civic life. Part of the Centro Cultural Helénico complex, the building unfolds across a nearly 1,000-square-meter plan organized around a century-old palm tree that acts as the spatial focal point. The design engages both the urban scale and the existing built fabric. Facades clad in metal panels, wood, and large glass surfaces integrate with the surroundings, offering a welcoming entrance from busy Avenida Revolución into a more intimate internal garden. The space is dominated by a single large volume where multiple levels unfold, also accommodating a bar and restaurant. Full-height bookshelves contribute to the dynamic spatial experience.
In the forest of Qinglongwu Village in Zhejiang Province, the Chinese studio Atelier tao+c has carried out an architectural regeneration project where the bookstore is the core around which common areas and capsule hotel rooms revolve. The intervention takes place within a traditional timber-and-earth building covering 232 square meters and just over seven meters in height. While preserving the original exterior structure, the interior was completely reorganized. After removing existing floors and partitions, the ground level was dedicated to the bookstore and community library, with full-height bamboo bookshelves defining the walls and housing the collection. Large glazed openings create a connection between the act of reading and the surrounding natural landscape. Above this volume, Atelier tao+c inserted two “suspended” structures containing twenty sleeping capsules, divided into separate wings for male and female guests. The capsules are integrated into the shelving system itself, ensuring privacy without complete isolation from the shared environment.
Boekhandel Dominicanen in Maastricht is one of the most evocative examples of contemporary architectural reuse of historic space: a 13th-century Gothic church transformed into a bookstore while preserving its original spatial qualities. Located in the historic city center, the building was restored by architects Evelyne Merkx and Patrice Girod of Merkx+Girod Architecten, in collaboration with Satijn Plus Restauration Architects. Completed in 2007, the project introduced a two-story steel structure that runs along the nave without touching the historic Gothic walls or elements. This internal volume, defined by monumental and visually permeable shelving made of perforated steel panels, houses more than 25,000 titles. It enters into dialogue with the pointed vaults, columns, and remnants of medieval frescoes, preserving the perception of height and spatial monumentality. The choir area has been converted into a café.
Grand Granary Bookstore emerged from the regeneration of disused agricultural structures in the rural village of Tangkou, in Jiangmen (Guangdong Province). A cluster of abandoned 1970s granaries has been transformed into a contemporary cultural landmark through a project by SEU-ARCH Art+Zen Architects. Developed across approximately 1,600 square meters, the intervention renovated seven existing buildings, five of them former granaries, preserving the original cylindrical forms and roof profiles. Inside, the bookstore houses around 38,000 volumes organized into sections devoted to literature, poetry, social sciences, and visual arts, each located in one of the former granary buildings. The result is a cultural hub open to the local community.
Founded in 1990 by James Daunt, Daunt Books in London’s Marylebone district is a true institution. Housed in a 1910 building in full Edwardian style, the space is characterized by oak galleries, long sightlines, and a luminous, welcoming atmosphere. The architecture plays a central role: upper floors overlook a wooden gallery running along the central nave, while bookshelves extend all the way to the ceiling, emphasizing the verticality of the historic structure. The bookstore is also known for its distinctive classification system, with books arranged by geographical setting or by the authors’ country of origin rather than by surname. This curatorial logic reinforces the idea of travel through literature, turning browsing into a spatial and narrative journey.
El Ateneo Grand Splendid in Buenos Aires is one of the world’s most celebrated examples of transforming a theatrical space into a commercial cultural venue. Opened in 1919 as the Teatro Grand Splendid, the neobaroque building was designed by architect Francisco Gianotti and quickly became one of the city’s most spectacular theaters, with a main hall seating over a thousand spectators, balconies, a large stage, and a ceiling frescoed by artist Nazareno Orlandi. After the theater closed in the 1960s, the space was converted into a bookstore by the El Ateneo chain in 2000. The adaptation preserved the original architecture almost in its entirety: the horseshoe-shaped auditorium, balconies, stage, and galleries remain intact. Bookshelves follow the curved geometry of the stuccoes and parapets, while the stage has been transformed into a café overlooking the main book hall.
Another Saint Laurent bookstore, this time in Paris and curated by the brand’s current creative director, Anthony Vaccarello. Babylone is located in the urban fabric of the 7th arrondissement and functions as a boutique for books, rare vinyl, magazines, and art objects. The name refers to the apartment at 55 Rue de Babylone, where Yves Saint Laurent lived with his partner Pierre Bergé from 1970 until his death in 2008. With Donald Judd stools, a vintage table designed by Pierre Jeanneret, weathered walls, and precious marbles, the space reads less like a shop than a sophisticated interior. Monolithic volumes and textured surfaces define a compact, highly controlled environment that reflects the brand’s aesthetic universe.
Looking at photographs of the Dujiangyan Zhongshuge Bookstore, it is hard not to think of the enigmatic spaces in M.C. Escher’s prints. Located in Dujiangyan, a city famous for its ancient irrigation system, the bookstore is distinguished by an interior conceived by X+LIVING to evoke wonder and spatial disorientation. Bookshelves unfold like waves, pathways wrap in fluid curves, and reflective surfaces multiply perspectives and fragment space. The visitor’s movement is central to the project, which reads as a kind of landscape where circulation mirrors the idea of reading as an exploratory process.
The Academic Bookstore in Helsinki, designed by Alvar Aalto and completed in 1969, is housed in the building known as Kirjatalo (“Book House”). Considered one of Aalto’s masterpieces in commercial architecture, the bookstore stands out for its masterful use of natural light as a structural component of the project. The spatial layout revolves around a large central atrium rising through three floors, topped by prismatic skylights that cut into the roof and channel light toward the heart of the building. This ensures even illumination of the main hall while reducing the need for artificial lighting. On the second floor is the renowned Café Aalto, furnished exclusively with original pieces designed by the Finnish architect and designer, reinforcing the bookstore’s role as a fully integrated public space within the city’s cultural life.
Set within a pine forest in La Juanita, near José Ignacio, Rizoma is a small cultural compound that combines a bookstore, gallery, café, and hospitality in a domestic-scale project deeply connected to the landscape. Commissioned by Argentine entrepreneur Eduardo Ballester and designed by architect Diego Montero, the structure responds to local climatic conditions with red-stained pine cladding, conceived to protect a collection of around 15,000 volumes from the intense summer sun. The bookstore is accompanied by a gallery that hosts the ceramics and studio of artist Marcela Jacob as well as drawings by Mary Ballester. On the opposite side, four independent guest suites clad in eucalyptus complete the complex, reinforcing the idea of the bookstore as an immersive cultural retreat.
Enfants Riches Déprimés is among the most exclusive brands in contemporary fashion, known for its high price point, one-of-a-kind garments, and only two mono-brand stores worldwide, in Paris and Seoul. In 2024, the brand’s founder Henri Alexander Levy opened a bookstore in Paris’s Marais district, near the Paris boutique, called The Anti Public Library. Designed by Levy himself with architect Didier Faustino, the project rejects the traditional idea of the bookstore as a public gathering space. Characterized by dark wood paneling, checkerboard marble floors, and French mid-century furnishings by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, the space operates as a hybrid environment dedicated to art, photography, architecture, and music. The editorial and music selection includes rare vinyl and hard-to-find publications, from American underground culture to zines and books published by Enfants Riches Déprimés.
Founded in 1996 by Elena Ochoa Foster as a publishing house specializing in artist books, Ivorypress has gradually evolved into a cultural platform dedicated to contemporary art. Its Madrid headquarters, designed by Foster + Partners, brings together a bookstore, exhibition spaces, and work areas through the adaptive reuse of two industrial buildings and a former underground garage in the city center. Glass entrances on Calle del Aviador Zorita clarify the different functions, guiding visitors either to the bookshop or to the gallery on level –1, accessible by appointment. Inside, the former vehicle ramp has been replaced by a sequence of steps flanked by display cases for rare editions, while skylights and light wells illuminate exposed concrete elements. The more intimate bookshop area is defined by very high ceilings, Seville stone floors, and custom furnishings, creating a setting tailored to the discovery of Ivorypress’s distinctive editions.
Founded in 1872 as a branch of the Genoese bookshop “Le Beuf” in Piazza Carignano, Libreria Internazionale Luxemburg is Turin’s oldest bookstore and among the oldest in Italy. After more than a century of history, it recently opened a new location within the historic Galleria Subalpina, an elegant 19th-century passage connecting Piazza Castello and Piazza Carlo Alberto in the city center. The renovation project by the Turin-based studio BRH+ (Barbara Brondi and Marco Rainò) orchestrates an intervention where historical memory and contemporary taste intertwine. Ceramic surfaces by Mutina, designed by figures such as Michael Anastassiades and Nathalie Du Pasquier, enrich the space. Spanning about 216 square meters created by merging three adjacent units, the bookstore preserves restored and repositioned elements of the historic furnishings, while lighting enhances surfaces and browsing paths. A small literary café developed in collaboration with the historic brand Caffè Baratti & Milano is also part of the space.
For more than thirty years, John K. King Used & Rare Books in Detroit has occupied a four-story former industrial building at the corner of Lafayette Boulevard and the Lodge Expressway. Today it is one of the largest bookspaces in the United States, housing over one million volumes. Built in 1905 as a factory for the Ste. Claire Manufacturing Company, the building went through multiple production phases, from textiles to the manufacture of hats and gloves, reflecting the city’s industrial history. Purchased by John K. King in 1983 and converted into a bookstore the following year, the space still bears clear traces of its past: wooden offices, factory signage, original floors, and industrial details coexist with shelves arranged to create labyrinthine paths.
In 1951, the same year An American in Paris brought Gene Kelly’s romantic vision of the city to the screen, George Whitman, a former American soldier, opened a bookstore at 37 Rue de la Bûcherie called Shakespeare and Company. The name paid tribute to the legendary bookshop founded in 1921 on Rue de l’Odéon by American bookseller and publisher Sylvia Beach, who first published James Joyce’s Ulysses in 1922 and championed English-language literature, including works censored in the UK and US. Ernest Hemingway, Ezra Pound, F. Scott Fitzgerald, Gertrude Stein, and George Antheil were among the figures associated with the original store, while Whitman’s shop became, in the 1950s, a meeting place for Beat Generation writers such as Allen Ginsberg, Gregory Corso, and William Burroughs, also thanks to Whitman’s friendship with Lawrence Ferlinghetti. Today it remains a pilgrimage site for book lovers visiting Paris, known for its exceptional selection of new titles and rare editions in an atmosphere that feels suspended in time.
Founded in 1953 in San Francisco by poet Lawrence Ferlinghetti and Peter D. Martin, City Lights is one of the most important independent bookstores in the United States and a symbol of alternative culture. In 2001 it was designated a National Historic Landmark. Originally the first American bookstore devoted exclusively to paperbacks, it has expanded to occupy three floors with an extensive catalog spanning fiction, poetry, politics, philosophy, film, music, and cultural studies. A gathering place for Beat Generation writers, City Lights is also a publishing house. Since 1955 it has published key Beat works, including Allen Ginsberg’s Howl, one of the movement’s defining texts. To date, more than two hundred titles have been released, guided by a strong stance against censorship and cultural conformity.
Founded in 1959 in West Philadelphia by Dawud Hakim, Hakim’s Bookstore is the city’s oldest Black-owned bookstore and one of the longest-running in the United States. The idea of opening a bookstore was closely tied to Hakim’s encounter with Joel Augustus Rogers’s 100 Amazing Facts About the Negro With Complete Proof (1934), which offered a global history of Black people and inspired him to create a space dedicated to this body of knowledge. The bookstore specializes in works by and about African American authors, African studies, politics, religion, education, and Black culture, and has become a key community reference point and space for learning and debate. Today, under the leadership of Hakim’s daughter Yvonne Blake, the bookstore continues its founder’s mission.
Gay’s the Word is an independent bookstore in London’s Bloomsbury district, founded on January 17, 1979, by a group of gay socialists known as the Gay Icebreakers. It is the UK’s oldest LGBTQ+ bookstore. Inspired by queer bookstores in the United States, its founders set out to create a space dedicated to lesbian, gay, and queer literature at a time when such books were difficult to find elsewhere. More than a specialist retail space for fiction, non-fiction, poetry, and queer studies, the bookstore functions as a meeting place and forum for the LGBTQ+ community, hosting events, readings, and discussion groups. Over the years it has faced significant challenges, including a well-known 1984 customs raid targeting materials deemed “obscene,” and has served as a hub for activist groups such as Lesbians and Gays Support the Miners.
Clarke’s Africana & Rare Books is a historic independent bookstore in Cape Town, active since 1957–58 in the heart of Long Street and widely regarded as a key reference point for books on African history, culture, and narratives, with particular attention to southern Africa. Founded by Anthony Clarke, a former British army officer who later became a journalist at the Cape Times, the bookstore began as a used bookshop. From the 1970s onward it specialized in publications related to sub-Saharan Africa, gradually expanding its catalog to include new, out-of-print, and antiquarian volumes, as well as prints, maps, and objects linked to African art and society. Today it is valued by local readers and international institutions alike for the quality and rarity of its collections.
Even a single day in Paris makes it almost impossible not to browse the books displayed in the stalls of the bouquinistes along the Seine, a historic form of open-air bookstore fully integrated into the urban landscape. Originating as itinerant sellers on the Pont Neuf in the early 17th century, the bouquinistes were moved to the riverbanks in 1756 and formally regulated by the City of Paris from 1859, when they were granted the characteristic green boxes that are closed at night. Their dimensions were standardized in 1930. Part of the UNESCO World Heritage site “Paris, Banks of the Seine” since 1991, today more than two hundred bouquinistes occupy roughly three kilometers of riverfront with nearly a thousand display boxes holding hundreds of thousands of antiquarian and used books, magazines, and photographs.