2025 will be remembered as a year of major global events – the Osaka Expo, the Africa World Cup, and the Venice Architecture Biennale. A year in which several major museums opened, many of them long-awaited, while preparations are already underway for a 2026 full of sports, with the Winter Olympics and the FIFA World Cup. But there are also construction sites finally reaching completion, such as the Sagrada Familia, extensive urban revitalizations across entire city blocks, and restorations of historic monuments, like those included in Macron’s plan for Paris or the works for the Jubilee in Rome.
In Giza, after twenty years of construction, the world’s largest museum dedicated to Egyptian civilization was inaugurated. In Paris, amidst the restoration of some of the finest museums in the world, Jean Nouvel signed the new Fondation Cartier, and the Grand Palais has regained its former glory. Rotterdam confirmed itself as the capital of contemporary architecture with projects like the Fenix Museum by Mad, Portlantis by MVRDV, and others, while Saudi Arabia inaugurated its first major national museum, designed by Norman Foster. New skyscrapers, stadiums, and infrastructures have risen all over the planet. We have covered all this and much more throughout the year.
With so many new developments, to make sense of a year now ready for the archives, we have selected 15 buildings not to forget — including skyscrapers, museums, theaters, airports, stations, and warehouses — from China to France, passing through Abu Dhabi, Giza, Rabat, and Osaka. Think of it as a Spotify Wrapped, but with architecture at the center.
Just steps from the Giza pyramids, the world’s largest museum dedicated to ancient Egypt has opened
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On November 4 2025, with the Tutankhamun Gallery, phased opening is reaching completion for the museum overlooking the Pyramids of Giza, near Cairo, the largest in the world dedicated to a single civilization, making narrative gigantism its defining strategy. Read more
Jean Nouvel has brought the new Fondation Cartier to the heart of Paris
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The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
The Fondation Cartier pour l’art contemporain, 2 Place du Palais-Royal, Paris
© Jean Nouvel / ADAGP, Paris, 2025. Photo © Martin Argyroglo
Elasticity and transparency define the exhibition qualities of the Haussmannian building reimagined by Jean Nouvel, offering the city a new hub for its cultural life. Read more
MAD’s Fenix Museum cements Rotterdam as the capital of contemporary architecture
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The museum, open on 16 May 2025, overlooks Wilhelmina Pier. The complex occupies the spaces of the old San Francisco warehouse built in the 1920s by Corneliis Nicolaas van Goor, first partially destroyed by wartime bombing and then by fire and "risen from the ashes" (like a phoenix). Read more
Abu Dhabi continues its rapid growth, fueled in part by Foster’s Zayed National Museum
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Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Foster + Partners, Zayed National Museum, Abu Dhabi, UAE, 2007 - 2025
Nigel Young / Foster + Partners
Five steel wings dominate the skyline, providing natural ventilation and light, while the underground galleries house artworks, all arranged around a central atrium. The Zayed National Museum by Foster + Partners tells the story of the United Arab Emirates and the country’s first president, Sheikh Zayed. A new chapter for the Saadiyat Cultural District, which, together with the Louvre Abu Dhabi and other projects under construction, is confirmed as one of the fastest-growing cultural hubs in the world.
While stadiums disappear in the West, new ones are rising in Morocco
While iconic stadiums close their doors in the West, Morocco’s new Prince Moulay Abdellah Stadium in Rabat emerges as a symbol of sports and urban revival. Designed by Populous for the 2025 Africa Cup of Nations, it accommodates up to 53,000 spectators, with panoramic stands and volumes that transform the audience’s experience into an engaging architectural spectacle.
Sou Fujimoto’s Grand Ring became the symbol of Expo Osaka
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Japanese architect Sou Fujimoto, in collaboration with Tohata Architects & Engineers and Azusa Sekkei, has designed for Expo 2025 in Osaka a green roof structure completely built of wood, which will serve not only as the main circulation ring but will also offer a panoramic view from above and protect visitors from the sun and rain. Read more
In New York, skyscrapers continue to rise: the latest is by Norman Foster
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Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
Foster + Partners, 270 Park Avenue, New York, United States, 2018-2025
Foto Nigel Young / Foster + Partners
270 Park Avenue: this is the name of the new JPMorgan Chase headquarters in New York, a 60-story skyscraper designed by Foster + Partners. It is also the largest fully electric tower in the Big Apple and can accommodate up to 10,000 employees. Its innovative structure lifts the main volume off the ground, creating new urban permeability between Park Avenue and Madison Avenue.
CityLife continues to drive Milan’s transformation
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In Milan, the Palazzo delle Scintille is reborn into CityOval, CityLife’s giant event space. The CityLife building, constructed over 100 years ago as a sports arena, will become the largest event venue in central Milan. Read more
Tadao Ando and Antony Gormley designed an underground pavilion at Museum SAN in South Korea
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Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
The entrance to Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
View of Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Courtesy: Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
View of Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Courtesy: Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
Antony Gormley beside a sculpture from the Blockwork series in Ground, the new permanent space designed in collaboration with Tadao Ando at Museum SAN in Wonju, Gangwon Province
Courtesy: Museum SAN
Installation view of Antony Gormley’s exhibition Drawing on Space at Museum SAN, on view until November 30, 2025
Sculptures from Antony Gormley’s Liminal Field series (2015) on view in the solo exhibition Drawing on Space at Museum SAN
Courtesy: Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
The entrance to Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
View of Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Courtesy: Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
View of Ground, the new permanent space designed in collaboration between British sculptor Antony Gormley and Japanese architect Tadao Ando, at Museum SAN
Courtesy: Museum SAN
Antony Gormley, Tadao Ando, Ground, 2025, Museum SAN
Antony Gormley beside a sculpture from the Blockwork series in Ground, the new permanent space designed in collaboration with Tadao Ando at Museum SAN in Wonju, Gangwon Province
Courtesy: Museum SAN
Installation view of Antony Gormley’s exhibition Drawing on Space at Museum SAN, on view until November 30, 2025
Sculptures from Antony Gormley’s Liminal Field series (2015) on view in the solo exhibition Drawing on Space at Museum SAN
Courtesy: Museum SAN
The intervention consists of an underground concrete dome measuring 25 meters in diameter and 7.2 meters in height, accessed via a spiral staircase and illuminated by a central oculus 2.4 meters wide. Radical and silent, the space is designed to receive natural light and atmospheric elements—wind, rain, snow—in a continuous dialogue with time and landscape. Read more
The world’s largest bookstore has opened in China
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It is located in Shenzhen, China's "silicon valley," is called Eye of the Bay Area, and is over 100 thousand square meters. It is not just a store, but an urban landmark. Read more
In Naples, artist Anish Kapoor has designed a metro station
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Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Anish Kapoor, stazione Monte Sant'Angelo
Anish Kapoor, Monte Sant'Angelo Station. Naples, Italy. Photo Amedeo Benestante. © Anish Kapoor. All rights reserved, DACS - SIAE, 2023
Rather than an object placed in the landscape, it is a system that integrates and transforms it. This intervention at Monte Sant'Angelo station demonstrates Naples' ongoing commitment to a model of public space that combines mobility and art. Read more
Portland’s new airport is the infrastructure of the year, also recognized at the Holcim Awards
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The new terminal aims to set an example for timber construction combining sustainability, high quality spaces, and a new focus on the emotional experience. Read more
Back in Paris: the Grand Palais has reopened after years of restoration
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Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Rotunda Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - View on the place centrale from the Nave, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - South Side Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Place Centrale, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Nave, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Nave Entrance, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Rotunda Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Salon Saine, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Place Centrale, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Foundation of the peripheral South Gallery, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Jean Perrin Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Rotunda Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - View on the place centrale from the Nave, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - South Side Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Place Centrale, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Nave, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Nave Entrance, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais - Rotunda Palais D'Antin, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Salon Saine, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Place Centrale, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© CHARLY BROYEZ FOR CHATILLON ARCHITECTES
Grand Palais, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Foundation of the peripheral South Gallery, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Churchill Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Grand Palais - Jean Perrin Facade, Paris, France, 1897–1900 (for the 1900 World's Fair)
Restauro: Chatillon Architectes, 2021-2025
© ANTOINE MERCUSOT FOR CHATILLON ARCHITECTES
Four years of work and a €500 million budget have brought one of Paris’s most imposing landmarks back to life: the Grand Palais, which reopens with exhibitions curated by the Centre Pompidou. Read more
Snøhetta has renovated St. Louis’s Power Hall and shared the project with Domus
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After undergoing major restoration and expansion work, the historic home of the Symphony Orchestra reopens with a new entrance facing the “Delmar Divide”, welcoming the entire community. Craig Dykers, co-founder of Snøhetta, explained the project to Domus. Read more
London’s V&A has unveiled a vast museum-storage facility designed by Diller Scofidio + Renfro
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Following in the footsteps of Mvrdv's Depot in Rotterdam, with the new V&A East Storehouse, American architecture firm DS+R reframes the concept of the traditional museum by blurring the boundaries between exhibition space and “backstage”. Read more
There’s also a fairytale hotel by Philippe Starck in France
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Philippe Starck takes inspiration from fantastic imagery and story-telling to shape a hotel conceived as the maison of a fairytale character. Read more
