Everyone wants Italian design. Once the preserve of architects, critics, and insiders, in recent years its historic products have gained wide recognition among a much broader audience. Time has given us distance, allowing a more critical look at its recurring cycles, its enduring traits, and the qualities that have etched themselves into collective memory. Lamps, armchairs, even cutlery become shared cultural images—“icons of Italian design” that tell the story not only of an aesthetic, but of a way of living.
How to transform your home buying Italian Design on Vinted
From the Eclisse lamp to the Superleggera chair, even down to vintage issues of Domus: the second-hand craze has reached Italian design too, turning Vinted into a kind of digital flea market.
Vico Magistretti, Eclisse, 1965. Courtesy Artemide
Michele De Lucchi, Pulcina, 2015
Domus 650, April 1984: the first cover for Zaha Hadid on the Domus by Alessandro Mendini
Richard Sapper and Marco Zanuso, Brionvega Radio.Cubo 50° Orange Sunshine, 1962. Courtesy Brionvega
Enzo Mari for Danese Milan, Timor Calendar, 1967
Gaetano Pesce, Vaso Goto, Domus Caffe Florian, 1995
Joe Colombo and Ambrogio Pozzi for Alitalia, Linea '72, 1972
Anna Castelli Ferrieri for Kartell, Componibili, 1967
The Born in Oasi Zegna Tote Bag went viral during the Milan Design Week 2024
Fornasetti, Eyes Tray
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- Nicola Aprile
- 29 September 2025
Global events like Milan Design Week have amplified this awareness, but so have social media, fashion, and cinema. The result? More and more people want these design icons in their own homes.
Another trend has overlapped with this rediscovery: second-hand culture. It’s not just about price. It’s about reuse, sustainability, and the special aura of objects that have already lived a life. While we were learning to recognize names like Eclisse, Superleggera, or Gae Aulenti, we were also—more slowly than elsewhere in Europe or the U.S.—getting used to wearing second-hand clothes. Today, pre-owned fashion has become mainstream, and the same logic has spread to furniture and homeware. Italian design, too, has found its way to Vinted. Best known as a platform for pre-owned clothing, it’s also a place where you can stumble across collectible furniture and decorative pieces.
On Vinted you’ll find pristine objects, gently used ones, heavily worn ones, and, as with clothing, the occasional imitation. A sharp eye, though, can uncover rarities, first editions, and discontinued pieces. The experience is more chaotic than on specialized platforms like Catawiki or Deesup, where items fetch auction-level prices. Vinted is closer to rummaging through stalls at a street market: less polished, perhaps, but with the thrill of unexpected finds.
Design that was meant to live in homes risks becoming a shelf-bound fetish, a nostalgic token of an era that draws us precisely because it’s gone.
This raises a central question: does the hunger for design icons reinforce their value, or does it risk hollowing it out? On one hand, the enduring vitality of objects designed even a century ago confirms the success of the original intent: to democratize intelligent, well-made design—a principle Italian design shares with Scandinavian design, which has also seen a resurgence.
On the other hand, there’s the risk of formalism: that shapes created to be used in daily life end up frozen as museum relics, bought, collected, and displayed purely for their form. Design that was meant to live in homes risks becoming a shelf-bound fetish, a nostalgic token of an era that draws us precisely because it’s gone.
To explore the phenomenon, here are ten examples of Italian design objects you might not expect to find on Vinted.
Opening image: The Nessino lamp by Artemide for sale at Vinted
Among the most coveted: Nesso, Nessino, and Eclisse
Alessi classics are easy to come by, including discontinued coffee pots and kettles
Not just design objects, but objects about design: vintage issues of Domus and other magazines feed the passion for print.
Brionvega’s Radio Cubo and other objects that once looked like the future
Like Timor, Enzo Mari’s perpetual calendar
From Aalto to Gaetano Pesce—including the vase he once designed for Domus
Even the plates Joe Colombo designed for Alitalia
The reconfigurable experiments of the 1960s are back—easy to ship, from the Sacco beanbag to Anna Castelli Ferrieri’s Componibili
Trade fair giveaways that have become cult objects. Remember the branded canvas tote bags?
Fornasetti’s ever-popular decorative pieces, especially his surreal eyes, continue to thrive in the second-hand economy