At MIA Photo Fair in Milan, Phillip Toledano presents his AI-generated images and advances a radical claim: in an age where anything can be false, documentary survives only by staging the collapse of truth.
In London, the artist turns the foundation’s apartment into a habitable sculpture and actually puts it on the real estate market, somewhere between fiction, desire, and urban critique.
From Milan to Pistoia, Venice to Gibellina, spanning painting, photography, design, and architecture: Domus has selected the exhibitions to add to your calendar for the beginning of spring.
At the Serpentine North in London, "A Year in Normandy and Some Other Thoughts About Paintings" confirms how the former enfant terrible of British Pop Art has now become above all a lifestyle phenomenon.
At the Bourse de Commerce in Paris, the exhibition “Claire-obscur” places works by Pierre Huyghe and Fujiko Nakaya in dialogue with the Rotonde designed by Tadao Ando, transforming the concrete cylinder into a perceptual device that reveals the central role of light in his architecture.
We don’t inhabit environments, we are the environment
We interviewed the Chief Curator of the 13th Shanghai Biennale, entitled “Bodies of Water” who describes Biennale’s as reality-sensing-devices.
Entering the studio on Via Fondazza in Bologna, Joel Meyerowitz photographs each bottle, vase, and jar used by the painter in his iconic still lifes. The project becomes Morandi’s Objects, a book set for release in 2026.
More than 70 works at the Palazzo Strozzi demonstrate how Rothko transformed painting into a space for contemplation.
In 1963 the young Vittorio Gregotti redesigned the interiors of his family apartment in Milan as a place where collecting, architecture and everyday life could coexist. Today that home offers a glimpse into a distinctly Milanese tradition: living with art.
With its new campaign for the Musei Italiani app, Italy’s Ministry of Culture tries to tell the story of the country’s museum heritage in a pop key—drawing criticism from several directions. Domus spoke with director Luca Finotti and art director Paola Manfrin.
The American imagination from its earliest art to today. From Edward Hicks to Edward Hopper, from Andy Warhol to Donald Trump: America has never stopped painting itself. The problem is that the portrait has turned into a caricature.
A selection of exhibitions held by foundations, cultural institutions, and galleries – with a few out-of-town stops – to discover the unmissable events in Milan this spring, recommended by Domus.
Spanning six centuries, the Accademia Carrara in Bergamo's exhibition showcases tarot cards from the Colleoni deck, commissioned by the Sforza family in the 15th century, to works by 20th-century artists and authors such as Italo Calvino.
