The new hanging of the collections and “Bentu. Chinese artists at a time of turbulence and transformation” at the Fondation Louis Vuitton are two different exhibitions, both solidly constructed around the idea of redefining the identity of contemporary Chinese art.
Between submerged cities, high-altitude airports and inadequate regulations, the voices of Ghotmeh, Gang, Ma, Mandrup, BIG, Snøhetta and others reveal that sustainability is not a single concept. From the Holcim Awards emerges a landscape of differences, contradictions and new possibilities.
Pantone is taking a break from color this year, choosing “a billowy, balanced white imbued with a feeling of serenity”.
The year 2026 is shaping up to be one of new museums, major global events, and urban transformations. In this evolving landscape, Domus has selected ten architectural works that are nearing completion.
Designed by Heneghan Peng Architects, the new Airbnb offices in Dublin have been created to cultivate collaboration, interaction and a sense of community.
Award-winning Magnum photographer Alex Webb talks to Domus about the Lavazza 2026 Calendar, where coffee is found in the “chaos of everyday life” and Italian identity teeters between authenticity and cliché.
TVs have long been the only option, but the new generation of projectors might just change that. With sleek designs and modern appeal, these devices could finally win over even those who never imagined having one at home.
The Finnish master gave a human face to Modern, shaping his poetics through the light of the North, dialogue with the landscape and listening to the frailty of life.
With its new collection for interior and exterior decoration, Kerakoll continues its research into colour, confirming the role of colour as a star of design and as a “key” that makes the environment (not only the exterior) resound with emotions.
In the endless flow of the feed, Fullwarp’s disturbing videos crack the predictable surface: liquid faces, mutated bodies, synthetic visions that reveal how artificial imagination has already become a defining force of the present.
With this house – which geometry is formed from spherical spaces intersecting with tesseract trapezoid – Steven Holl questions current clichés of architectural language and commercial practice.
From macro-structures to fish tanks, from Asia to America via Europe, we explore the work and thinking of the MAD founder, and Domus Guest Editor for 2026, through 10 projects between futurism and tradition, culture and nature.
Ma is the youngest — and the first Chinese architect — to curate the magazine’s upcoming ten issues. With a manifesto that calls for rethinking architecture through its deepest emotions.
"Before I became an architect, I wanted to be a movie director. I have always been attracted to imaginary and visionary stories.
The conceptual aspect and the vision are key, in my case, even more important than construction." (Ma Yansong, Guest Editor Domus 2026)
