The new hanging of the collections and “Bentu. Chinese artists at a time of turbulence and transformation” at the Fondation Louis Vuitton are two different exhibitions, both solidly constructed around the idea of redefining the identity of contemporary Chinese art.
We met one of the greatest living writers: to mark the Italian release of Kolchoz, Emmanuel Carrère speaks to Domus in an exclusive interview about how houses and urban spaces become the key to understanding his family’s genealogy.
At the Gallerie dell’Accademia, Transforming Energy stages the artist’s contradiction, through dialogues with Tiziano, rituals of presence, and a digital avatar: an exhibition that works when it forces you to slow down.
The Prix Versailles selects seven new museums around the world: from Abu Dhabi to Japan, projects that transform the museum into a narrative, immersive, and urban space, combining technology, memory, and landscape.
Designed by Heneghan Peng Architects, the new Airbnb offices in Dublin have been created to cultivate collaboration, interaction and a sense of community.
In Albania, Bofill Taller de Arquitectura—known for the Muralla Roja—signs off on a large residential complex that tries to integrate more quietly into the landscape. Change of approach or just a visual strategy?
Just after his passing, Baselitz will be in Venice with his latest works: an opportunity to understand why he changed contemporary painting by constantly putting it into crisis.
Beyond the Biennale, Venice becomes a labyrinth of international art. Here’s our guide to the must-see exhibitions unfolding across the city.
Before leading major fashion houses, many designers trained as architects—a natural shift across scales that still shapes how we think about fashion and space.
From collaborations with science labs to foundation programs like LAS, more and more artists are turning to quantum physics—not to illustrate it, but to question a world shaped by predictive models and artificial intelligence.
With this house – which geometry is formed from spherical spaces intersecting with tesseract trapezoid – Steven Holl questions current clichés of architectural language and commercial practice.
Domus’ 2026 guest editor brings to the Milan Polytechnic a reflection on contemporary architecture, between critique of the built environment, nature, and social responsibility.
Through Nigel Green’s photography and Owen Hopkins’s prose, the new Blue Crow Media book Brutalist London explores an era when architecture shaped the city’s future as a collective social project.
As Russia returns and Israel re-enters the 2026 edition, the Venice Biennale reveals a structural paradox: conceived as an open international platform, it has become an institution that cannot exclude.
