Top stories of 2018

A mini apartment in Milan, the original plans for the Genoa bridge, buildings built with earth and drones. Don’t miss the 10 most appreciated stories by our readers in 2018.

Milan. A mini-apartment with little space but many uses

How many things can be done in a small space? This small apartment in Milan is also an inspiration, in the recently redeveloped area of the Darsena, via Savona, via Tortona. This space before the renovation was unusable: not ordered, it was very difficult to use and without quality, very poorly lit. Taac! Just over thirty square meters but – thanks to a system of mobile and sliding elements – there is no lack of living space. Read the full story

Img.1, Taac! Apartment, Milan, 2018.
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Incompiuto. Unfinished public works broadcasted on TV

The research by Alterazioni Video is presented at the Manifesta 12 Palermo biennial with an exhibition, a workshop and a book, from which we publish an exclusive preview. “Incompiuto: The Birth of a Style” is a documentary research on what the artist collective defines as “the most important Italian architectural style of the last 50 years”. Read the full article

Alterazioni Video, Incompiuto Siciliano
Alterazioni Video, Edilizia Residenziale Pubblica, Morano Calabro, Calabria
Alterazioni Video, Viadotto Barche, Bomba, Chieti
Alterazioni Video, Pontile ex Sir, Lamezia Terme, Catanzaro
Alterazioni Video, Viadotto San Giacomo dei Capri, Vomero, Napoli
Alterazioni Video, Edilizia Residenziale Pubblica, Curinga, Catanzaro
Alterazioni Video, Gabriele Basilico, Giarre, 2007
Alterazioni Video, Scuola media di Sant'Anna, Puglia
Alterazioni Video, Viadotto Mussomeli, Caltanissetta
Alterazioni Video, Viadotto Mussomeli, Caltanissetta 2
Alterazioni Video, Stazione La Martella, Matera
Alterazioni Video, Variante alla SR429, tratto Empoli-Castelfiorentino
Alterazioni Video, Variante ferroviario Ponte sullo Stretto, Villa San Giovanni-Reggio Calabria

Porto Feliz. Marcio Kogan completes a mimetic private house

Marcio Kogan’s studio, mk27 is no stranger to radical experiments in horizontality and this private residence in Porto Feliz, in the São Paulo region makes no exception. The rigid geometry of the building confronts with a sinuous brick wall, a never-seen-before feature in the work of the Brazilian studio. Read the full article

Img.5 mk27, Casa Plana, Porto Feliz, Brazil, 2018
Img.1 mk27, Casa Plana, Porto Feliz, Brazil, 2018
Img.2 mk27, Casa Plana, Porto Feliz, Brazil, 2018
Img.3 mk27, Casa Plana, Porto Feliz, Brazil, 2018
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Img.7 mk27, Casa Plana, Porto Feliz, Brazil, 2018
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mk27, Casa Plana, plan
mk27, Casa Plana, facades

Photoessay. The Calabria region is told in “fourth person”

A large part of Italian political history of the last few years is undeniably shrouded in mystery. Until today, some of its stories and events, public and private, major and minor, remain untold, dismissed, and even censored, in some cases. The book by Martin Errichiello and Filippo Menichetti is the last piece of a precarious and plural analysis, conducted along the A3 Salerno – Reggio Calabria motorway. Read the full article here

Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.1 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.2 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.3 Martin Errichiello and Filippo Menichetti, In Quarta Persona
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Img.5 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.6 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.7 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.8 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.9 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.10 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.11 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.12 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.13 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.14 Martin Errichiello and Filippo Menichetti, In Quarta Persona
Img.15 Martin Errichiello and Filippo Menichetti, In Quarta Persona

Building with drones and earth

The use of drones in architecture is relatively new but seems to be a rapidly expanding practice. Over the past years, French architect Stéphanie Chaltiel has been experimenting with these flying machines to develop a new construction method involving earth that puts them at the core of the process. We reached out to her to learn more about her research and technique. Read the full story here

Structure of the dome designed by Stephanie Chaltiel, London Design Week, 2018, photo Rosie Marks
Img.7 - Structure of the dome designed by Stephanie Chaltiel, London Design Week, 2018, photo Rosie Marks
Img.8 - Structure of the dome designed by Stephanie Chaltiel, London Design Week, 2018, photo Rosie Marks
Img.9 - Structure of the dome designed by Stephanie Chaltiel, London Design Week, 2018, photo Rosie Marks
Img.10 - Structure of the dome designed by Stephanie Chaltiel, London Design Week, 2018, photo Rosie Marks

From Domus Archives, the original report on the Morandi viaduct

A few days after the tragedy that has shaken the country, we found, preserved in our archives, the original project report on the great bridge built in Genoa between 1960 and 1967 by Riccardo Morandi. “Architecture on a new scale.” So opened the article in Domus devoted to the project report on the Polcevera viaduct drafted by engineer Riccardo Morandi on 25 August 1967. It was then published with drawings and original photos in Domus 459 for February 1968.   Read the original article

Img.1 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.2 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.3 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.4 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.5 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.6 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.7 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.8 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.9 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.10 Riccardo Morandi, viaduct on the Polcevera, Genoa, 1960-67. Photo Arno Hammacher
Img.11 Riccardo Morandi, viaduct on the Polcevera, technical drawings
Img.12 Riccardo Morandi, viaduct on the Polcevera, technical drawings

A Milanese masterpiece by Franco Albini

A stone's throw from Piazzale Tripoli in Milan stands one of the most interesting rationalist houses in Italy. Its creator, Franco Albini (1905–1977), was only 33 when he designed Villa Pestarini. In 1939, in Domus issue 144, Gio Ponti published it. The rationalist house built 80 years ago has since been enjoyed by five generations, making it more alive and modern than ever. Read the full article

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

Villa Pestarini by Franco Albini In 1939, in Domus issue 144, Gio Ponti published Villa Pestarini by Franco Albini. The rationalist house built 80 years ago has since been enjoyed by 5 generations, making it more alive and modern than ever. The original interiors and many pieces of custom-made furniture are a refreshing mix of functionality and aesthetics seen in a wealth of meticulously studied details.

The Villa Savoye sinks in the Danish fjords

“Flooded Modernity”, an installation by Danish artist Asmund Havsteen-Mikkelsen, represents the shipwreck of Modernity and Enlightenment. Who knows why Le Corbusier is so targeted by critics and iconoclasts... From Tom Sachs’ exhibition at the 2010 Venice Biennale to the digital collages by Xavier Delory, the work of the Modern Architecture master are criticised, deconstructed, and vandalised. Read the full article

Img.13 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @mettegau
Img.1 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.2 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.3 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.4 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.5 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.6 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.7 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.8 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.9 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.10 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.11 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018
Img.12 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @ullahp
Img.14 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @vejlekunstmuseum
Img.15 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @mshelenrussell
Img.16 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @vejlekunstmuseum
Img.17 Asmund Havsteen-Mikkelsen, Flooded Modernity, Floating Art Festival, Vejle, Denmark, 2018. Photo @vejlekunstmuseum

Genoa. Gosplan rearranges an apartment with a cross-shaped furniture

Genoa-based studio gosplan architects has completed an apartment that features an unique piece of furniture, including shelves, stairs and services. Before the refurbishment works, the house was characterised by a long corridor that completely cut the flat, leading to the several rooms arranged on both its sides. Read the full article

Img.1 gosplan architects, Into the woods, Genoa, 2018
Img.2 gosplan architects, Into the woods, Genoa, 2018
Img.3 gosplan architects, Into the woods, Genoa, 2018
Img.4 gosplan architects, Into the woods, Genoa, 2018
Img.5 gosplan architects, Into the woods, Genoa, 2018
Img.6 gosplan architects, Into the woods, Genoa, 2018
Img.7 gosplan architects, Into the woods, Genoa, 2018
Img.8 gosplan architects, Into the woods, Genoa, 2018
Img.9 gosplan architects, Into the woods, Genoa, 2018
Img.10 gosplan architects, Into the woods, Genoa, 2018
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Img.12 gosplan architects, Into the woods, Genoa, 2018
Img.13 gosplan architects, Into the woods, Genoa, 2018
Img.14 gosplan architects, Into the woods, Genoa, 2018
Img.15 gosplan architects, Into the woods, Genoa, 2018
gosplan architects, Nei boschi, plan

Searching for comfort in an uncomfortable chair

In 1944, Bruno Munari launches an ironic provocation to the design establishment in the pages of Domus, accompanied by a quirky photo essay. Read the full article

One comes home tired from working all day and finds an uncomfortable chair . Domus 202 / October 1944 page detail