Every demolition produces a mountain of materials. Bricks, beams, concrete, glass: what was architecture just the day before suddenly becomes waste. Natural disasters, urban regeneration and ever-shorter building cycles are fuelling a growing volume of waste that, in most cases, is destined to be removed from the construction process. Yet, what is rejected can become a resource. Recycling means working with what is already available, reducing the consumption of new raw materials and limiting the environmental and economic impact of disposal. A choice often dictated by necessity rather than ideological motivations, but in recent decades also taking on an increasingly broad design and cultural meaning. Over time, architecture has progressively broadened the definition of reuse. Waste has ceased to be merely a response to emergency situations and has become a genuine design material. Waste is no longer a worthless leftover, but a material that preserves traces of buildings, places and communities. From this perspective, recycling can also take on a symbolic function, transforming fragments of the past into elements of a new construction. One example is Piero Bottoni’s Monte Stella, built from the rubble of the Second World War and which has become one of the symbols of Milan’s rebirth. More recently, technological advances have opened up new possibilities for the recovery and transformation of materials, thanks to increasingly sophisticated processes of selection, processing and reuse. In urban contexts, the housing crisis, property market constraints and the increase in land and raw material costs have further encouraged experimentation: from Keetwonen containers, designed by Tempohousing in Amsterdam to address the shortage of student accommodation, to residential projects built largely from reclaimed materials, such as Upcycle Studios or Resource Rows by Lendager in Copenhagen.
Can rubble become architecture? Five buildings say it can
Recycled paper, demolished villages, post-earthquake rubble and disused shipping containers: five projects show how waste can be transformed into a creative, economic and cultural resource.
Domus 922 February 2009
Domus 922, February 2009
Domus 922 February 2009
Photo courtesy of Chen Chen
Photo courtesy of Arch-Exist
Photo courtesy of Qian Shen Photography
Domus 905, July 2007
Domus 886, November 2005
Photo Courtesy of BIG
Photo courtesy of BIG
Foto courtesy of BIG
Courtesy Stefano Boeri Architetti
Courtesy Stefano Boeri Architetti
Courtesy Stefano Boeri Architetti
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- Chiara Testoni
- 10 June 2026
Of course, recycling is not always the most virtuous solution. Collecting, sorting, processing and adapting existing materials can turn into an uncertain outcome when dealing with long supply chains, energy-intensive treatments or performance levels inferior to those achievable with new materials. It becomes an opportunity, however, when architecture manages to transform waste from a mere compromise into a technical, expressive and cultural tool. The projects below illustrate some of the possible applications of this approach. In some cases, reuse stems from the need to build with limited resources; in others, it becomes a strategy for addressing environmental, economic or housing issues. In other cases, the reclaimed materials preserve the memory of traumatic events and reconstruction processes. What these projects have in common is their ability to give a second life to what seemed to have lost it, transforming constraints into opportunities and waste into architecture. Rather than merely a technical issue, reuse thus becomes a way of rethinking the value of materials and the durability of objects in an era marked by rapid consumption and constant replacement.
The museum appears as a telluric mass criss-crossed by cuts and fissures. Its most striking feature is the reuse of thousands of fragments of bricks, tiles and other materials sourced from demolished villages in the region, assembled using the traditional ‘wa pan’ technique. Here, the reuse of materials is not merely a matter of sustainability: it literally incorporates the traces of a vanished landscape into the new building, transforming waste into built memory.
West Village redefines the urban block as an open social infrastructure: a large, enclosed ring frames a hybrid landscape dotted with spaces for sport, commerce, culture and social interaction. Among the project’s most significant elements are the so-called "rebirth bricks", made from the rubble of the 2008 Wenchuan earthquake and developed through extensive research aimed at improving their strength and structural performance. Here too, reuse becomes part of a broader process of material and collective reconstruction.
A pioneer in the use of recycled paper in architecture, Shigeru Ban has for decades pursued minimal environmental impact and resilience, often through projects in emergency contexts. Paper House, the first permanent structure built using recycled paper tubes, is laid out on a 10 x 10 metre floor plan with 110 columns of paper tubes arranged in an S-shape, capable of withstanding both horizontal and vertical loads.
A clear and simple principle guides the project, as is often the case in Bjarke Ingels’ work: the need for affordable housing in the Danish capital can be met through a cheap, scalable prototype that recycles discarded shipping containers, assembles and transforms them into functional yet comfortable student accommodation. Today, six clusters, each comprising 12 flats, float along the Refshaleøen waterfront, providing accommodation for around a hundred residents.
The project aims to rebuild the 1920s “Don Minozzi” complex, originally an orphanage and later a vibrant community hub, which was damaged by the 2016 earthquake. The intervention preserves the civic character of the site, reinterpreting the distinctive elements of the original design and reimagining the layout of the open spaces and their connections with the town. Sixty per cent of the total volume of rubble from the earthquake has been reused for road sub-bases and the façade panels, and a meticulous selection process was carried out to recover and reuse as much debris as possible on site.