The return of spring, and the sudden explosion of summer trigger the desire to decant the atrophy of winter and the constraints of urban ecosystems around parks and fragrant gardens.
As Domus has already recounted, gardens have always evoked a kaleidoscope of changing moods depending on the characteristics of the context: from the soothing tranquillity of Italian-style gardens, to the subtle tension that arises from trying one's hand at a labyrinth. In Europe, the tradition of landscape design is widespread and diversified: from parks marked by rigorous geometries, to romantic parks where anthropic artifice gives way to (apparently) wild nature, to parks where entertainment, art and culture offer possibly lighthearted hours in the open air (Jupiter Artland; Tschumi, Parc de La Villette). Symbolic suggestions are not uncommon at different latitudes, as if contact with nature were the incipit of a cathartic path leading to a possible different awareness of oneself and the world. Thus, the symbolism of the Minoan labyrinth – be it from 19th century (Glendurgan Gardens; Marqueyssac Gardens) or more recent (Longleat Hedge Maze; Peace Maze Castlewellan) – is added to Celtic references (Birgit's gardens), Masonic-esoteric (Quinta da Regaleira), oneiric-surreal (Gaudí, Parque Güell; Bosque de Oma; Lost Gardens Of Heligan; Parc d'en Garrell) and cosmological ones (Jencks, Garden Of Cosmic Speculation).
In each case, the aim is to celebrate nature, both intellectually and through the senses, including the sense of humour (The Gnome Reserve).