Wes Anderson turns Gagosian into Joseph Cornell’s studio, the master of box-assemblage

From Queens to Paris: the American filmmaker signs The House on Utopia Parkway, an immersive exhibition whose installation resembles a life-size Cornell Box.

Joseph Cornell Pharmacy, 1943 Glass-paned wood cabinet, marbled paper, mirror, glass shelves, and twenty glass bottles containing various paper cuttings (crêpe, tissue, printed engravings, and maps), colored sand, pigment, colored aluminum foil, feathers, paper butterfly wing, dried leaf, glass marble, fibers, driftwood, wood marbles, glass rods, beads, seashells, crystals, stone, wood shavings, sawdust, sulfate, copper, wire, fruit pits, paint, water, and cork.
15 1/4 x 12 x 3 1/8 inches (38.7 x 30.5 x 7.9 cm)

© 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York
Photo: Dominique Uldry. Courtesy Gagosian

Joseph Cornell, 1972    

Photo: © Duane Michals
Courtesy of DC Moore Gallery, New York

Joseph Cornell’s studio in the basement of his family home in Queens, New York, 1971.

Photo: © Harry Roseman

Joseph Cornell Untitled (Medici Series, Pinturicchio Boy), c. 1950 Wood, glass, printed paper, and ink in wood and printed paper box construction
15 3/4 x 12 x 4 inches (40 x 30.5 x 10.2 cm)

© 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York
Photo: Owen Conway
Courtesy Gagosian

Years after conceiving in collaboration with the Kunsthistorisches Museum in Vienna the exhibition project "The Spitzmaus Sarcophagus and Other Treasures," director Wes Anderson is back in the curator's shoes, this time assisting Jasper Sharp in the creation of an exhibition dedicated to American artist Joseph Cornell. 

“The House on Utopia Parkway: Joseph Cornell’s Studio Reimagined by Wes Anderson”, on view at Gagosian Paris from December 16 to March 14, 2026, brings Cornell’s work back to the French capital after nearly four decades, ans it does so in a way that fully embraces the artist’s spirit: transforming the rue de Castiglione gallery into an experiential tableau — a life-sized assemblage that reactivates nearly 300 objects from his New York studio.

Wes Anderson, Courtesy Gagosian

Born in 1903, Joseph Cornell is regarded as one of the foremost figures of assemblage sculpture — that post-surrealist artistic practice that gathers everyday, heterogeneous objects into compositions rooted in the expression of the unconscious. Although he never left his home in New York, where he cared for his mother and brother, Cornell spent years collecting hundreds of items during his wanderings through local shops and antique stores. These were later meticulously cataloged in shoeboxes and transformed into “reliquaries of memory and imagination” — his celebrated Shadow Boxes.

It is precisely this intimate and nostalgic universe — populated by maps, prints, feathers, marbles, and toys — that Anderson seeks to honor, turning the entire gallery space into a single, contemplative Box: a theater of imagination that speaks both his own visual language and Cornell’s poetic one

Within “The House on Utopia Parkway”, visitors will encounter some of Cornell’s most emblematic Shadow Boxes: from Pharmacy (1943) to Untitled (Pinturicchio Boy), part of his Medici series, framing several reproductions of Bernardino Pinturicchio’s Portrait of a Boy. Completing this archival scenography are additional loans from the Joseph Cornell Study Center at the Smithsonian American Art Museum in Washington, including a selection of unfinished boxes.

Exhibition: The House on Utopia Parkway: Joseph Cornell's Studio Reimagined by Wes Anderson Curated by: Wes Anderson, Jasper Sharp Location: Gagosian, Paris, France Dates: From December 16, 2025 to March 14, 2026

Joseph Cornell Pharmacy, 1943 © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York
Photo: Dominique Uldry. Courtesy Gagosian

Glass-paned wood cabinet, marbled paper, mirror, glass shelves, and twenty glass bottles containing various paper cuttings (crêpe, tissue, printed engravings, and maps), colored sand, pigment, colored aluminum foil, feathers, paper butterfly wing, dried leaf, glass marble, fibers, driftwood, wood marbles, glass rods, beads, seashells, crystals, stone, wood shavings, sawdust, sulfate, copper, wire, fruit pits, paint, water, and cork.
15 1/4 x 12 x 3 1/8 inches (38.7 x 30.5 x 7.9 cm)

Joseph Cornell, 1972 Photo: © Duane Michals
Courtesy of DC Moore Gallery, New York

   

Joseph Cornell’s studio in the basement of his family home in Queens, New York, 1971. Photo: © Harry Roseman

Joseph Cornell Untitled (Medici Series, Pinturicchio Boy), c. 1950 © 2025 The Joseph and Robert Cornell Memorial Foundation/Licensed by VAGA at Artists Rights Society (ARS), New York
Photo: Owen Conway
Courtesy Gagosian

Wood, glass, printed paper, and ink in wood and printed paper box construction
15 3/4 x 12 x 4 inches (40 x 30.5 x 10.2 cm)