Des choses à faire

Anne Masson and Eric Chevalier’s exhibition at Grand-Hornu aims to illuminate the organic, mobile and elastic spirit of their work, which questions the various statuses and dimensions of fabric.

“Things to do”: the title of Chevalier Masson exhibition at Htand-Hornu is considered, well-chosen.

Words, the way of naming things, are never unintentional in Chevalier Masson’s work. The name contributes to the work, just as the title sets the scene and gives meaning to the exhibition. The expression “things to do” is open to various interpretations.

Top and above: Chevalier Masson, "Des choses à faire". View of the show © CID - Grand-Hornu. Photo David Marchal

In “things”, we are given a certain sense of materiality. The material, in this instance, is textiles. Fabric.

Anne Masson and Eric Chevalier’s vision of this material, their way of questioning its status and its functional and at the same time poetic potential, make a veritable statement in the museum context. At a time of intelligent, innovative textiles, be it through their integrated techniques or the properties of new, as yet unexploited fibres (various plants, algae, crustaceans and milk), they fundamentally question the cultural status of textiles. When worn, looked at and danced in, fabric acquires an autonomous life. It lends itself to observing, speaking, playing and smiling.

Chevalier Masson, Écharpes, Collection 2009-2010. © Lise Duclaux

“To do”. To do is to make. Hand-crafting. The word is almost taboo in a cultural world where design has been dematerialised, as was the case with art in the 1960s, notably under the assault of conceptual performance art. Nowadays design is about concept, strategy, social innovation and protocol. Running counter to this evolution, Chevalier Masson anchor their practise in making, doing and working. To be fair however, their approach is not isolated. The exhibition is a further manifestation of a recent phenomenon. Numerous creators – along with observers, critics and analysts – are returning to practises, the manufacturing process of their creations, often supporting the new technologies which are integrated in more manual approaches.

Chevalier Masson, Motion Plaid, 2011. © Lise Duclaux
Chevalier Masson in collaboration with 51n4e and Julie Vandenbroucke, Lichtbed, as part of exhibition "Reasons for Walling a House", 2012, Courtesy Galerie Valerie
Anne Masson in collaboration with Erwin De Muer, Galaxies, curtain scenography at the Halles de Schaerbeek, festival Daba Morocco. © Anne Masson
<b>Left</B>: Chevalier Masson, Twist cap, merinos & mohair, 2012. © Filip Vanzieleghem. <b>Right</b>: Chevalier Masson, Bent mittens, merinos & mohair, 2012 © Filip Vanzieleghem
Chevalier Masson in collaboration with Diane Steverlynck, Motion, wool blanket for Laend, 2014 © Lise Duclaux
<b>Left</b>: Chevalier Masson, Igor, clothes hangers, 2014. © Maud Van De Veire, à la galerie Valérie Traan, Anvers. <b>Right</b>: Chevalier Masson, Debardeur. © Christian Aschman