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Mario Merz, Che fare?, 1968 Pot, wax, neon, 14,5 × 45 × 15 cm
GAM – Galleria Civica d’Arte Moderna e Contemporanea, Fondazione Guido ed Ettore De Fornaris, Torino
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024
Photo: Nicolas Brasseur / Pinault Collection.

Giovanni Anselmo, Untitled, 1968 Granite, fresh lettuce, copper wire, 60 × 25 × 25 cm.
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur / Pinault Collection.

Giovanni Anselmo, Untitled (detail), 1967 Lacquered wood, river stone, 155 × 75,5 × 65 cm
Long-term loan, private collection
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur / Pinault Collection.

Giuseppe Penone, Patate (detail), 1977 Bronze, potatoes, overall dimensions variable
Private collection
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024
Photo: Nicolas Brasseur / Pinault Collection.

Pier Paolo Calzolari, Il mio letto così come deve essere, 1968 Copper, brass, moss, bronze letters, banana leaves, 35 × 175 × 150 cm.
Collection Fondo Calzolari.
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024.
Photo: Nicolas Brasseur / Pinault Collection.

Alighiero Boetti, Io che prendo il sole a Torino il 19 gennaio 1969 (Me Sunbathing in Turin 19 January 1969) (detail), 1969 One hundred and eleven moulded ball-shaped elements in quick-dry cement, cabbage butterfly
5 × 177 × 90 cm
Marco Rossi Collection, Torino
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024
Photo: Nicolas Brasseur / Pinault Collection.

Giuseppe Penone, Albero porta – cedro (Door Tree – Cedar), 2012 Cedar wood, 316 × 105 cm
Private collection
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024
Photo: Nicolas Brasseur / Pinault Collection.

Michelangelo Pistoletto, Venere degli stracci, 1967 Reproduction of Venus in cement covered with mica and rags, 150 × 280 × 100 cm (installation).
Lent by the Fondazione per l’Arte Moderna e Contemporanea CRT.
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur / Pinault Collection.

Alighiero Boetti, Mappa, 1972-1973 Embroidery, 150 × 230 cm
Pinault Collection
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
© Adagp, Paris, 2024
Photo: Nicolas Brasseur / Pinault Collection.

Giovanni Anselmo, Particolare (Particular), 1972-2024 Five projectors, five slides with the word ‘Particolare’, variable dimensions
New production
Exhibition view of ‘’Arte Povera’’, Bourse de Commerce – Pinault Collection, Paris, 2024.

© Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier.
Photo: Nicolas Brasseur / Pinault Collection.

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  • 24 October 2024
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