Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC, Bergamo, From October 4, 2018 to January 6, 2019
Alberto Burri, Cretto, 1973, Acrovinilic on cellotex, Palazzo Albizzini Collection Burri Foundation
Piero Manzoni, Achrome, 1958, Chalck and caolino on canvass, Private collection
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC, Bergamo, From October 4, 2018 to January 6, 2019
Lucio Fontana, Concetto spaziale, 1955, Polimateric on canvass, Mart
Lucio Fontana, Concetto Spaziale, Natura, 1959-60, Concetto Spaziale, Natura, 1959-60, Bronze, Lucio Fontana Foundation
Lucio Fontana, Concetto spaziale, 1954, Mixed technique, Mart
Alberto Burri, Cretto, 1973, Acrovinilic on cellotex, Palazzo Albizzini Collection Burri Foundation
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Installation view, Black Hole. Art and materiality from Informal to Invisible, GAMeC
Bergamo, From October 4, 2018 to January 6, 2019
Gino De Dominicis, Senza titolo (Autoritratto), 1995, Mixed technique on masonite, Museo d’arte della Svizzera italiana, Lugano, from a private collection depot
Courtesy Archivio Gino De Dominicis, Foligno and Paola De Dominicis. Installation view Black Hole. Arte e matericità tra Informe e Invisibile, GAMeC