A brief account of 2023 in architecture

From Lesley Lokko’s Biennale to the farewell to Portoghesi, Doshi and Branzi, from the inaugurations of new buildings to those yet to come: a year of architecture at a glance, to be read in 5 minutes.

Being able to retrace entire years by milestones and iconic events is what one always hopes for, even in architecture: few facts, all clear, all final. Unfortunately, or rather fortunately, architecture is a discipline that works more with time than with steel, so whole years can be spent in a constant, low-noise working, looking forward to upcoming moments, punctuated by a few very dense moments acting as true collectors of meaning.  2023 in architecture was not far from this, between projects completed after more than one turn in our most anticipated list (Renzo Piano’s Istanbul Modern and OMA’s project for Manchester were almost proverbial), others still left on the list, major events on the horizon such as the Olympics and the Expo, an unfortunately not short series of farewells, and the much anticipated, criticized and acclaimed Venice Biennale.

Balkrishna Doshi, one of the first global architecture maestros, leaves us in January

Educated in his homeland, India, from the very beginning of his career Balkrishna Vithaldas Doshi – Pritzker Prize winner in 2018 – could outline with his professional trajectory a whole new figure within the history of modern and contemporary architecture: the global architect. Between 1951 and 1954, he had worked in Le Corbusier's studio in Paris and then became supervisor for his projects in Chandigarh and Ahmedabad. Read more

And Shigeru Ban tells us about his projects for refugees in Ukraine

The partition system erected in Lviv and Kumamoto after the flooding that hit the island of Kyushu First used to accommodate people who were displaced after the 1995 Kobe Earthquake, since 2022 the system has been deployed in the wake of Russia’s invasion of Ukraine. The structures have been built in Ukraine, Poland, Slovakia and France to provide greater privacy for war refugees.

Photos Voluntary Architects’ Network

The partition system erected in Lviv and Kumamoto after the flooding that hit the island of Kyushu First used to accommodate people who were displaced after the 1995 Kobe Earthquake, since 2022 the system has been deployed in the wake of Russia’s invasion of Ukraine. The structures have been built in Ukraine, Poland, Slovakia and France to provide greater privacy for war refugees.

Photos Voluntary Architects’ Network

The partition system erected in Lviv and Kumamoto after the flooding that hit the island of Kyushu First used to accommodate people who were displaced after the 1995 Kobe Earthquake, since 2022 the system has been deployed in the wake of Russia’s invasion of Ukraine. The structures have been built in Ukraine, Poland, Slovakia and France to provide greater privacy for war refugees.

Photos Voluntary Architects’ Network

The partition system erected in Lviv and Kumamoto after the flooding that hit the island of Kyushu First used to accommodate people who were displaced after the 1995 Kobe Earthquake, since 2022 the system has been deployed in the wake of Russia’s invasion of Ukraine. The structures have been built in Ukraine, Poland, Slovakia and France to provide greater privacy for war refugees.

Photos Voluntary Architects’ Network

In contemporary context, “global architect” is an expression that emphasizes the role and responsibility of designers with respect to events that are transforming the planet, even endangering it, like wars do. The architect talks to Domus about the humanitarian projects he is carrying out in the war-torn country, where his studio and the Voluntary Architects’ Network are working on a low-cost residential unit and a hospital in CLT for Lviv, as well as rolling out his well-proven partition system. Read more

Decarbonization, decolonization and the future: Lesley Lokko's Biennale lands in Venice

There are few built and accomplished forms, at least for a good stretch of the exhibition, but space, space is everywhere, space and all implications running through, the denunciation of presences and absences in our visual and physical landscape telling about its origin, telling who has had the right to shape it and who has not. A Biennale where you have to sit a lot, you have to listen a lot, you have to find a lot of time to experience. It requires time. An alternative time ratio compared to that of a conventional architecture exhibition or that of a museum tour. It is a series of encounters. Read more

A game-changing – and debate-raising – Biennale

“Lesley Lokko’s ambitious programme brings the grand themes of the moment to Venice, but it lacks proactive approaches. A scarcity that prompts reflection on the usefulness of the Biennale and the role of architecture”, former Domus director Vittorio Magnago Lampugnani wrote in May. Read more

A Biennale losing its first curator, Paolo Portoghesi, father of Italian postmodernism

Born in Rome in 1931, died in 2023, Portoghesi had been working from a very early age on his own cultural, academic, and political positioning through works – such as the ruin-inspired Baldi house and, later, the Rome Mosque – writings, books, and journals. By July 1984, when he starred on the cover of Alessandro Mendini’s Domus, Portoghesi had become a reference for all Italian architectural culture, the author four years before of the operation destined to write the history of global postmodernism: the first Venice Architecture Biennale, with its Strada Novissima at the Arsenale. Read more

With Mario Cucinella, we visit the Unipol Tower construction site, the last piece in a transformed Milan, nearing completion

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere June 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere September/October 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere November/December 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere November/December 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere November/December 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere November/December 2022

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere January/February 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere January/February 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere January/February 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere January/February 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere March/April 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere March/April 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere March/April 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere March/April 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere May 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere June 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere June 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere June 2023

Photo © Marco Garofalo

Mario Cucinella Architects, Torre UnipolSai, Milano, in costruzione. Le foto del cantiere June 2023

Photo © Marco Garofalo

Only a few months away from the inauguration of the final cornerstone of Milan’s most significant urban endeavor in the 2000s – Porta Nuova – we visited the site with its designer. Read more

...as another city transforms: Tirana, where Mvrdv renovated Hoxha’s “pyramid”

Along with a general transformation of Tirana’s urban space, 2023 has brought this significant redevelopment project, which aims to give the city a place that speaks to this new identity.

And in October, design world loses Andrea Branzi

The Archizoom

Group photo on Domus 455, October 1967

Prefabricated post offices, Italy, 1979 Pierluigi Spadolini, Andrea Branzi, Clino Trini Castelli

Domus 594, May 1979

Prefabricated post offices, Italy, 1979 Pierluigi Spadolini, Andrea Branzi, Clino Trini Castelli

Domus 594, May 1979

Prefabricated post offices, Italy, 1979 Pierluigi Spadolini, Andrea Branzi, Clino Trini Castelli

Domus 594, May 1979

Andrea Branzi for Alchimia at the Triennale Milano, 1979

Photo Cesare Colombo

Furniture pieces for Alchimia, 1979-1980 Andrea Branzi

Domus 619, January 1981

Furniture pieces for Alchimia, 1979-1980 Andrea Branzi

Domus 619, January 1981

Memphis, group photo, 1981

Domus 841, October  2001.

Neo-primitive furniture for Zabro, 1985 Andrea and Nicoletta Branzi

Domus 667, December 1985.

Remote control house Andrea Branzi

Domus 671, April 1986

Folly 10, Osaka Andrea Branzi

Domus 730, September 1991

“Citizen Office” exhibition, 1993

Domus 751, July 1993

“Citizen Office” exhibition, 1993 Proposals by Andrea Branzi

Domus 751, July 1993

Wooden Boxes or Houses Andrea Branzi

Domus 818, September 1999

Vico Magistretti with Ettore Sottsass, Enzo Mari, Andrea Branzi, Alessandro Mendini on the cover of Domus 869

Domus 869, April 2004

Forum music, dance and visual arts in Ghent, Belgium, 2005 Toyo Ito with Andrea Branzi

Domus 887, December 2005

Forum music, dance and visual arts in Ghent, Belgium, 2005 Toyo Ito with Andrea Branzi

Domus 887, December 2005

Microenvironments for flowers, 2008 Andrea Branzi

Microenvironments for flowers, 2008 Andrea Branzi

Dolmen, 2015 Andrea Branzi

Interno rupestre (Rock interior), 2015 Andrea Branzi

Unpacking my library Andrea Branzi 

Domus 947, November 2011

Unpacking my library Andrea Branzi

Domus 947, November 2011

Unpacking my library Andrea Branzi 

Domus 947, November 2011

After half a century of an intense and precious exchange, a friendship that had given Domus some of the most interesting, sometimes disruptive and other times enlightening pages over the years, in March 2022 we had dedicated to Andrea Branzi an immersion in our archives and in his thought, which he himself had been happy to read. When he left us in October 2023, we remembered him, diving back into those pages once again, thanking him for 50 years of our road together. Read more

A new Egyptian Museum will arrive, but not the one in Cairo: Oma will renovate the one in Turin

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

Museo Egizio. Turin, Italy. Image courtesy of OMA.

The world’s oldest museum for Ancient Egyptian culture approaches its bicentenary in 2024. In Turin, OMA’s David Gianotten showcased the competition-winning design to renovate it. “The transformed Museo Egizio will be even more connected with the city and publicly accessible, complementing the museum’s ambition to foster public engagement,” Gianotten said.  Read more

Meanwhile, architecture is already looking ahead to Expo 2025, as Fujimoto begins construction of a huge wooden ring for Osaka

Expo 2025. Osaka, Japan. Image courtesy Sou Fujimoto Architects.

Expo 2025. Osaka, Japan. Image courtesy Sou Fujimoto Architects.

Expo 2025. Osaka, Japan. Image courtesy Sou Fujimoto Architects.

Expo 2025. Osaka, Japan. Image courtesy Sou Fujimoto Architects.

Japanese architect Sou Fujimoto, in collaboration with Tohata Architects & Engineers and Azusa Sekkei, has designed for Expo 2025 in Osaka a green roof structure completely built of wood, which will serve not only as the main circulation ring but will also offer a panoramic view from above and protect visitors from the sun and rain. Read more

Opening image: Mario Cucinella Architects, UnipolSai Tower, Milan, in progress. Photo © Marco Garofalo