In a rural village in Galicia, Spain, the renovation of an existing building and the construction of a new pavilion are transforming the terraced landscape by creating a community centre that brings together history, contemporary uses and local resources.
At the Giardini della Biennale, Labics reinterprets over a century of stratifications, transforming the Central Pavilion into a coherent and accessible system featuring new functions, a café, and social spaces.
In Albania, Bofill Taller de Arquitectura—known for the Muralla Roja—signs off on a large residential complex that tries to integrate more quietly into the landscape. Change of approach or just a visual strategy?
Domus’ 2026 guest editor brings to the Milan Polytechnic a reflection on contemporary architecture, between critique of the built environment, nature, and social responsibility.
Designed by Workac, the Riverhouse is a model of sustainable and collaborative living. Friends, guests and collaborators helped to design and build the shared spaces and furnishings.
For this high-density residential complex, Anonimous + G3 + Jesús Vassallo soften the dark, solemn volumes inspired by Brutalism with a lattice of sun-shading screens drawn from local tradition.
After years of questionable renovations, Park spoke to Domus about the retrofitting of Palazzo Galbani during our visit to the construction site. For just four days, part of the building will be open to the public during Paris Internationale.
In Milan, within the regenerated spaces of BiM, Gianni Pettena reactivates Paper and reasserts a radical stance: architecture is not something you design – it is something you build, and above all, something you live.
On Old Bond Street, Ferrari redefines the idea of a flagship as a cultural device: a layered environment where architecture, display, and brand identity converge. Through interviews with Rocco Iannone, Formafantasma and Gonzalez Haase, the project emerges less as a store than as a staged Officina of design.
QB Atelier has designed a home in Veneto that occupies the spaces of a 20th-century factory and opens onto a secret garden.
In Whittier, Alaska, almost the entire population lives in the same building: an extreme case that makes the modern idea of the self-sufficient building concrete — and problematic — from Le Corbusier's Immeuble-villa to its contemporary developments.
Art sets the pace and architecture follows
Frederic Migayrou, curator of the exhibition “Aerodream” at the Centre Pompidou-Metz, tells us the aesthetic and social evolution of these majestic inflatable structures, from Second World War until today.
Every April, the well-known event brings attention back to a valley that—between cultural institutions, modernist architecture, and a desert landscape—has much to offer regardless of the concerts.
In one of Britain's best-known "new towns", which were designed in the mid-20th century to make London more liveable, Pyramid House has been renovated and adapted for contemporary use.
