Christo and Jeanne-Claude’s most massive work will finally be built

Located around 100 miles south of Abu Dhabi, in the Liwa desert, The Mastaba will be built out of 410,000 multi-coloured barrels.

Christo in his studio with preparatory works for The Mastaba. New York City, April 15, 2012

Photo Wolfgang Volz© 2012 Christo and Jeanne-Claude Foundation

The Mastaba of Abu Dhabi (Project for United Arab Emirates). Christo, scale model 1979. Enamel paint, wood, paint, sand, and cardboard 32½ x 96 x 96 in

Property of the Estate of Christo V. Javacheff
Photo Wolfgang Volz© 1979 Christo and Jeanne-Claude Foundation

The Mastaba (Project for Abu Dhabi, United Arab Emirates). Christo, drawing 2013 in two parts. Pencil, charcoal, pastel, wax crayon, enamel paint, hand-drawn map and technical data, and tape 30½ x 12 in and 30½ x 26¼ in

Private collection
Photo André Grossmann© 2013 Christo and Jeanne-Claude Foundation

The Mastaba (Project for Abu Dhabi, United Arab Emirates). Christo, Collage 2017. Pencil, wax crayon, pastel, photograph by Wolfgang Volz, enamel paint, and tape on brown board 8½ x 11 in

Property of the Estate of Christo V. Javacheff
Photo André Grossmann© 2017 Christo and Jeanne-Claude Foundation

Abu Dhabi Mastaba (Project for United Arab Emirates). Christo, 1977. Pencil, charcoal, wax crayon, and pastel 22 x 28 in

Collection Lilja Art Fund Foundation, Switzerland
Photo Wolfgang Volz© 1977 Christo and Jeanne-Claude Foundation

Christo in his studio with a preparatory drawing for The Mastaba. New York City, 1984

Photo Wolfgang Volz© 1984 Christo and Jeanne-Claude Foundation

The Mastaba was conceived by Christo and Jeanne-Claude in 1977 for Abu Dhabi, in the United Arab Emirates, and in addition to being the largest permanent work of art in the world, it will be their only permanent large-scale public artwork as well as their final project.

The proposed location for the artwork is inland, circa 100 miles south of Abu Dhabi, in the desert of Liwa. The Mastaba will be made from 410,000 multi-colored 55-gallon steel barrels to form a colorful mosaic, echoing Islamic architecture. Their colors and positioning were selected by Christo and Jeanne-Claude in 1979, the year in which they visited the United Arab Emirates for the first time.

The Mastaba (Project for Abu Dhabi, United Arab Emirates). Christo, drawing 2013 in two parts. Pencil, charcoal, pastel, wax crayon, enamel paint, hand-drawn map and technical data, and tape 30½ x 12 in and 30½ x 26¼ in. Private collection. Photo André Grossmann© 2013 Christo and Jeanne-Claude Foundation

Like all of the two artist’s projects, also The Mastaba –  thanks to analyses on the social and economic benefits of the project – will be self-financed and will not require government funding.

After a careful analysis of proposals by four different engineering faculty, the concept by Hosei University, in Tokyo, was found to be the most technically sound and innovative. Once government approval is granted, the construction period will take at least three years, but the elevation towers will make it possible to raise the entire structure in about two weeks.

For Christo’s wishes, The Mastaba will be carried out by his nephew Vladimir Yavachev, who has worked with the artists for over thirty years and has recently directed L’Arc de Triomphe, Wrapped.

Christo in his studio with preparatory works for The Mastaba. New York City, April 15, 2012 Photo Wolfgang Volz© 2012 Christo and Jeanne-Claude Foundation

The Mastaba of Abu Dhabi (Project for United Arab Emirates). Christo, scale model 1979. Enamel paint, wood, paint, sand, and cardboard 32½ x 96 x 96 in Property of the Estate of Christo V. Javacheff
Photo Wolfgang Volz© 1979 Christo and Jeanne-Claude Foundation

The Mastaba (Project for Abu Dhabi, United Arab Emirates). Christo, drawing 2013 in two parts. Pencil, charcoal, pastel, wax crayon, enamel paint, hand-drawn map and technical data, and tape 30½ x 12 in and 30½ x 26¼ in Private collection
Photo André Grossmann© 2013 Christo and Jeanne-Claude Foundation

The Mastaba (Project for Abu Dhabi, United Arab Emirates). Christo, Collage 2017. Pencil, wax crayon, pastel, photograph by Wolfgang Volz, enamel paint, and tape on brown board 8½ x 11 in Property of the Estate of Christo V. Javacheff
Photo André Grossmann© 2017 Christo and Jeanne-Claude Foundation

Abu Dhabi Mastaba (Project for United Arab Emirates). Christo, 1977. Pencil, charcoal, wax crayon, and pastel 22 x 28 in Collection Lilja Art Fund Foundation, Switzerland
Photo Wolfgang Volz© 1977 Christo and Jeanne-Claude Foundation

Christo in his studio with a preparatory drawing for The Mastaba. New York City, 1984 Photo Wolfgang Volz© 1984 Christo and Jeanne-Claude Foundation