Demolition leftovers become a poetic backdrop for public events

The “emergency scenery” designed by unparelld'arquitectes in Olot is a volatile and ambiguous background, available for fairs, concerts and other secular rituals.

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Historic image of the project site. Photo © Esteve Moner, 1904. Arxiu Comarcal de la Garrotxa. Collecció d’imatges de Josep Ma Dou Camps

The project site before unparelld'arquitectes' intervention. Photo © unparelld'arquitectes

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, general plan

Unparelld'arquitectes, Can Sau, plan, elevation and section

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

In the center of Olot, a small town in the Catalan inland, a punctual intervention of de-densification opens a small void in the built fabric. The elevations of two residential rows overlook the new public space to the East and the West, the side façade of the Tura church delimits it to the North, whereas to the South the blind wall of a private property, once adjacent to the demolished building, is supported by a sequence of rough concrete buttresses. Unparelld'arquitectes’ project, commissioned by the municipality of Olot, transforms the leftover spaces between these temporary structures into three cozy urban alcoves. Elegant open air aisles rise from these uneven cut-outs, resulting from merely technical constraints. Barrel vaults made of exposed bricks bestows a certain monumentality on the ensemble, in spite of its reduced scale, and the light globes make it even more solemn at night.

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Still, the “emergency scenery” by unparelld'arquitectes is first and foremost ironic and evocative. The signs of domestic life, once taking place here, are encapsulated by artist Quim Domene into the double bottom of each bay. The multiplication of materials and colors, their intentional inconsistency, and the clearly unfinished character of all masonry works, turn this zero-volume architecture into a volatile, appropriable device, an ambiguous background for fairs, concerts and other secular rituals.

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019. Photo © Roger Serrat-Calvó
  • Can Sau
  • public space
  • Olot, Spain
  • unparelld'arquitectes
  • Quim Domene
  • Eduard Callís, Guillem Moliner
  • Clàudia Calvet, Xevi Rodeja, Sara Palmada, Sergi Jiménez
  • Amaia López
  • Gemma Planagumà (Olot town hall)
  • Construo Construccions Generals
  • Olot town hall
  • 113 sqm
  • 2019
Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Historic image of the project site. Photo © Esteve Moner, 1904. Arxiu Comarcal de la Garrotxa. Collecció d’imatges de Josep Ma Dou Camps

The project site before unparelld'arquitectes' intervention. Photo © unparelld'arquitectes

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019

Unparelld'arquitectes, Can Sau, general plan

Unparelld'arquitectes, Can Sau, plan, elevation and section

Unparelld'arquitectes, Can Sau, Olot, Spain, 2019