Lascaux IV

Snøhetta’s design in Montignac, France, conceives the Lascaux IV Caves Museum as a fine cut in the landscape, inviting visitors into a curious world of prehistory.

The new International Centre for Cave Art in Montignac, France welcomes visitors to an immersive educational experience of the prehistoric Lascaux cave paintings. Known by archaeologists as the ‘Sistine Chapel of Prehistory’ due to their spiritual and historical significance, the 20,000 year old paintings are among the finest known examples of art from the Paleolithic period. Architects Snøhetta and SRA, alongside scenographer Casson Mann, worked closely with a team of archaeologists to create a holistic museum and educational experience.

Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017. Photo Dan Courtice
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017. Photo Eric Sole
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017. Photo Eric Sole
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017. Photo Eric Sole
Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017
Snøhetta, Lascaux IV – The International Centre for Cave Art, plan
Snøhetta, Lascaux IV – The International Centre for Cave Art, section
Snøhetta, Lascaux IV – The International Centre for Cave Art, section

  The new Lascaux IV Caves Museum is situated at the intersection of two unique landscapes, between a densely-forested, protected hillside and the agricultural Vézère Valley. Snøhetta’s design conceives the museum as a fine cut in the landscape, inviting visitors into a curious world of prehistory. By framing the experience of the cave replica in contemporary design, the approach counters the potential trap of artifice: the materiality and geometry of the approach allows the visitor to understand that they are in the presence of a reproduction, without distracting from the power of its impact. The form and materiality of the museum have a monolithic, sober expression, speaking to the surrounding nature and the massive rock formations embedded in the hill, with a new public, agricultural landscape unfolding around it.

Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017

Inside the cave facsimile, the atmosphere is damp and dark, re-creating the humidity within the caves. Sounds are muffled; the temperature drops to about 16 degrees Celsius. This sequence is dedicated to contemplation, allowing people an experience of the sanctuary that once was. Lights flicker just as the animal fat lamps of Paleolithic times did, revealing the layers of paintings and engravings on the surface of the walls.

Snøhetta, Lascaux IV – The International Centre for Cave Art, Montignac, France, 2017


Lascaux IV – The International Centre for Cave Art, Montignac, France
Program: museum
Architect: Snøhetta
Scenography: Casson Mann
Associate architect: SRA Architectes
Associate architect, study phase: Duncan Lewis Scape Architecture
Construction economist: VPEAS
Structural design: Khephren Ingéniere
Fluids, roads and utilities engineering: Alto Ingénierie
Facades and glass design: RFR
Lighting designer: 8’18’’
Acoustical engineering: Commins dBlab
Management and operating company: Semitour Périgord
Area: 8,365 sqm
Completion: 2017