Alvar Aalto is one of the names that defined 20th-century design. However, if we recognize his architecture and furniture today as the works of a single author, it is partly because history has sidelined the role of Aino Marsio-Aalto for decades. A major exhibition at the Vandalorum Museum of Art & Design in Värnamo, Sweden, now seeks to correct that narrative, showcasing the shared work of one of history’s most influential design couples through more than 300 objects.

Aino and Alvar were inseparable from the moment she, having just returned from a trip to Italy after graduation, answered a job advertisement from a young and then-unknown Finnish architect looking for an assistant—and married him only a few months later.

From then on, until Aino’s death at the age of just 54, the two worked together tirelessly. They designed hundreds of buildings and countless pieces of furniture that turned Finland into an international success story, first in the United States and later across the rest of the world. These include the furnishings that went into serial production with Artek—the brand that, as the name itself suggests, combines art and technology—and which now occupy the halls of the Aino & Alvar Aalto exhibition through January 2027.

Through furniture and objects, many of which are drawn from the private collection of Pertti Männistö, the exhibition highlights the avant-garde approach of a couple who explored pioneering themes such as environmental sustainability and functionalism—concepts that were still unheard of in early 20th-century Finland.

Virtually everything about their work was innovative: the relationship between them, their interactions with clients and manufacturers, their approach to space, and their ability to find inspiration in nature that went far beyond mere formal characteristics—translating its movements, metamorphoses, and landscapes into democratic, intuitive, and accessible objects and spaces. All of this is also depicted in the documentary Aalto, directed by Virpi Maarit Suutari, which is an integral part of the exhibition curated by TAF Studio, featuring graphic design by Stefan Engblom.

The exhibition coincides with a realization that critics and historians have only come to grasp after decades: Aino and Alvar Aalto worked together on virtually all of the studio’s projects. For years, the established narrative portrayed their work as that of an architect and his assistant, a designer and a helper. But that was not the case. Although they had distinct identities, the studio’s works emerged from a deeply symbiotic relationship: Alvar focused primarily on architecture, while Aino focused on interiors and furniture, as evidenced by the numerous drawings signed “A M-A,” Aino Marsio-Aalto. Two sides of the same coin that, in their case, never existed without one another.

A section of the exhibition is dedicated to a project created by the museum in collaboration with Artek, which invited contemporary artists and designers to reinterpret the legendary 1933 Stool 60. The stools will be sold at auction, and the proceeds will be donated to the Design School, where young students explore design by participating in workshops led by professional designers.