The March issue of Domus 1056 focuses on architecture’s role in confronting nature. In his editorial, the Guest Editor Tadao Ando writes about this delicate relationship, “What can be said, then, about the link between architecture and nature when the very act of building is responsible for the destruction of the environment? Is architecture capable of understanding the role of nature?”. Alejandro Zaera-Polo follows, describing the ecological revolution of post-Covid cities and discussing political ecology as the alternative to identity and populist politics. Rosa Camargo Artigas, daughter of Brazilian architect João Batista Vilanova Artigas, retraces the path of her father of the Paulist School.
Domus 1056 is on newsstands: “Confronting nature”
Through projects and visions by Junya-Ishigami+Associates, Katarsis, Neri Oxman and others, the new issue of Domus is all about the relationship between man and his constructions on one side, and nature on the other.
Text Tadao Ando. Photo J. Countess / Getty Images
Text Alejandro Zaera-Polo. Photo © Edouard François
Text Rosa Camargo Artigas. Photo Fernando Cabral / Courtesy of Instituto Virgínia e Vilanova Artigas collection
Text Junya Ishigami. Photo © Junya.Ishigami+Associates
Text Katarsis. Photo Dmitrij Serebryakov
Text DnA_Design and Architecture. Photo Wang Ziling
Text Atelier David Telerman. Photo Iwan Baan
Text Studio Anne Holtrop. Photo © Studio Anne Holtrop
Text Angela Maderna. Photo courtesy of the artist and Galleria Continua
Testo Neri Oxman and Mediated Matter Group. Photo Noah Kalina, Courtesy of The Mediated Matter Group
Texts Bosco Sodi, Jean Nouvel, Sou Fujimoto, Manuel Aires Mateus, Smiljan Radic, Tatiana Bilbao, Thom Mayne, Virgil Abloh, John Pawson, Paul Smith. Image Tatiana Bilbao
Text Jean Hilgersom. Image Collection Kröller-Müller Museum, Otterlo, the Netherlands (KM 102.714)
Testo Miralles Tagliabue EMBT. Photo Paolo Fassoli / EMBT
Text Andrea Caputo. Illustration Michele Tranquillini
Text Tadao Ando. Photo Hiroki Nakadoi / © Tadao Ando Architect & Associates
Cover Torii gate, Itsukushima Shrine, Japan, 2017. Photo Tuul & Bruno Morandi
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- La redazione di Domus
- 06 April 2021
In the Architecture section, five projects are identified by their privileged relationship with an element of nature. For Air, Junya.Ishigami+Associates illustrate the Plaza of Kanagawa Institute of Technology, a versatile structure, permeable to atmospheric agents and connected to nature. For Fire, Katarsis narrates his Burning Bridge, whose purpose is its destruction through the traditional burning ceremony, which refers to the traditional rites of passage between winter and spring. For Water, instead, DnA_Design and Architecture illustrate the Dushan Leisure Centre in Zhejiang, China, which exploits the shape of the spiral to dynamically reinterpret the landscape, offering itself as a meeting point for residents and tourists. Finally, for Earth, we investigate the McNeal 020, Arizona, by Atelier David Telerman and the 35 Green Corner Building by Studio Anne Holtrop, a building made with structural concrete blocks obtained from the direct casting of the soil of the site, which thus becomes the generator of the artefact.
In the pages dedicated to Art, Angela Maderna focuses on the work of the Venetian artist JR, a critique of the devastating relationship between man and the planet and, though not explicitly, because of its dimensions and excavations, it recalls the pioneers of Land Art.
In the Design section, Neri Oxman presents her works Aguahoja I, II, confident that the organic elements widely available in nature, combined with digital fabrication, are the basis of a new library of building materials capable of dialoguing with their environment.
The new Creators section was established to illustrate various thought forms that can emerge around an idea. Each month we will offer a series of artists and designers who shape objects, spaces and buildings the opportunity to express themselves visually on the theme we investigate in the issue. For this issue, we asked designers such as Tatiana Bilbao, Smiljan Radic, Thom Mayne, John Pawson, Virgil Abloh, and others to focus on the question “How to confront nature?”
In the column Design Snippets, Jean Hilgersom recounts the events of the “grand museum” dreamed up by collector Helene Kröller-Müller beginning over a century ago with Behrens’ drawings Mies van der Rohe and Berlage. Miralles Tagliabue EMBT reports on the construction of the subway station that the Spanish studio is building in Naples. Finally, for Karamuk Kuo studio, model making is at the heart of the project culture and a flexible methodology.
In this month’s Diario, pages dedicated to current events, a round table between Alberto Cavalli, Giulio Iacchetti, Nicola Coropulis and Stefano Maffei discusses the close relationship, both cultural and productive, between designer, craftsman and industry is today made more complex by the use of technology. Carlos D’Ercole visits the apartment where Mimmo Paladino has been living for more than 40 years when he is in Milan. Works of art alternate with art photographs (by his friend Ferdinando Scianna), dialoguing with him. Valentina Petrucci tells us about Jacopo Etro. Silvana Annicchiarico analyzes the design of Clara Arpini (1987), founder of Nodo2014, a project that aims to revisit furnishing elements such as chairs and coffee tables, made with yarns of various materials and woven exclusively by hand. Editorial director Walter Mariotti concludes the section with a chat with Claudio Luti, president and owner of Kartell, as well as president of Salone del Mobile since 2017, according to whom “working means changing, innovating, growing, following a precise idea.”
In the April editorial, guest editor Tadao Ando looks at the history of the built environment and its interaction with the natural environment.
Cities are getting greener with the advance of architectural biotechnologies. Political ecology is the alternative to the politics of identity and populism.
Architecture as an expression of the paradox between backwardness and modernity, an exegesis of natural, social and artistic phenomena. The daugther of João Batista Vilanova Artigas retraces the achievements of the founder of the São Paulo's School.
A gently curving floor and a semi-open roof characterise this large versatile structure, which is permeable to the elements and connected to nature.
The project’s purpose was its own destruction in a traditional fire ceremony, whose roots lie in ancestral rituals celebrating the passage from winter to spring.
Conceived as a park on the Songyin River, the centre uses the form of the spiral to dynamically reinterpret the landscape, serving as a meeting point for residents and tourists.
Embedded in the desert soil, the structure appears as a landscape to be explored and a tool for discovering its surroundings.
The building is composed of structural concrete blocks formed with casts of the soil made directly on the site, which thus became the producer of the architecture.
The Venetian artist’s latest work is a critique of humankind’s devastating relationship with the planet, and its size and excavations recall the pioneers of land art – albeit not explicitly.
Organic materials abundant in nature plus digital fabrication are behind a new library of building materials that dialogue with their environment.
This segment was established as a way of showcasing the diversity of thought that can emerge around a single idea. Each month an array of artists and designers who shape objects, spaces and buildings will be given the freedom to express themselves visually on the theme we will explore in each issue. To illustrate a cross-generational, cross- disciplinary view of the design world, each time we will host ten creators. It is up to the chosen creators to visualise freely each of these abstract ideas in the form of images, collages, drawings, sketches and texts. For this issue, the research focuses on the question “how to confront nature?”
The story of the “grand museum” desired by the collector Helene Kröller-Müller began over a century ago with designs by Behrens, Mies van der Rohe and Berlage. It materialised in the 1920s with the project by Van de Velde and was enlarged with the garden by Bijhouwer and the Rietveld and Van Eyck pavilions. Today, 40 years since Wim Quist’s extension, it is again ready to change
The subway station that the Spanish studio is currently building in Naples will be a covered public square mediating critical aspects of an area designed by Kenzo Tange.
A Swiss office operating as a small but synergic workgroup in an industrial building beside a Zurich city park couples a design culture centred on modelmaking with a flexible methodology
Four and a half billion years ago,
the Earth emerged in our solar system.
By chance, the axial tilt of the planet composed
four miraculous seasons.
Spring, sprouting grass.
Summer, deep saturated emerald.
Autumn, incarnadine leaves.
Winter, glazed in ivory.
With each season, the Earth is dyed with colour.
Three hundred and sixty-five days of transformation, repeated since time immemorial.
Of the four, without hesitation, my first choice is spring.
In spring, the cherry blossoms begin to flower, implying a new story.