The Other Architect

Through 23 case-studies from the 1960s to today, the exhibition at CCA emphasizes architecture’s potential to identify the urgent issues of our time.

Twenty-three case studies dating from the 1960s to today, on view at CCA, illustrate how international and often multidisciplinary groups invented and adopted new methods outside of traditional design practices.

The various groups sought to expand the role and responsibility of architects in society by working outside of traditional design practices and pursuing collaborative strategies, new tools and experimental attitudes. Their ingenuity showed the ability of architecture to shape the contemporary cultural agenda, a lesson that remains critically relevant today.

Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal

CCA Director Mirko Zardini stated, “Some of CCA’s past exhibitions have demonstrated that architecture and urban design are too important to be left to architects. This new exhibition presents architecture as more than building – architecture as the production of ideas. These ideas can contribute to changing the world.” Curated by Giovanna Borasi, the exhibition presents architects whose work challenged the concept of individual authorship in favor of establishing networks and partnerships with permeable roles.

Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal

“To find another way of building architecture, we have to be willing to broaden our understanding of what architecture is and what architects can do,” said exhibition curator Giovanna Borasi. “The groups represented in The Other Architect’ remind us that architecture has to do more than just resolve a given set of problems – it has to establish what requires attention today.” “The Other Architect,” like the case studies it examines, is a research project, concerned in its own way with contributing to a new reflection on the role of the architect, and inspiring and proposing unexpected ways of practicing architecture today. It is a way of responding to the question of how we can position architecture as an original site for the production of ideas.

Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal
Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal
Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal
Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal
Installation view of "The Other Architect", Canadian Centre for Architecture, Montréal, 2015. © CCA, Montréal
Coded index cards used to assemble the <i>Air Structures Bibliography</i> rating each publication according to its usefulness. c. 1972. Lightweight Enclosures Unit Cedric Price fonds, CCA © CCA
A diagram showing how OMA and AMO implanted themselves into relationships within real and virtual spheres. 2001. AMO, © OMA
A participant in the Wilmington Take Part workshop taking notes during the city walk. 1971. Take Part, Lawrence Halprin Collection, The Architectural Archives, University of Pennsylvania © The Architectural Archives, University of Pennsylvania
The shared Architecture Machine Group space, which hosted multiple concurrent experiments including many that focused on early forms of artificial intelligence. c. 1969. Architecture Machine Group, MIT Museum
Charles Moore drafting live during a broadcast of Roanoke Design ’79, while host Ted Powers and architect Chad Floyd address the camera. 1979. Design-A-Thon Centerbrook Architects and Planners Records. Manuscripts and Archives, Yale University Library © Centerbrook Architects and Planners
Cedric Price and Frank Newby’s collection of promotional and documentary photographs of pneumatic structures and their components. Dates unknown. Lightweight Enclosures Unit. Cedric Price fonds, CCA
<b>Left</b>: An improvised drawing (“D.I.Y. tool box”) made by Alessandro Mendini at the Sambuca Seminar. 2 November 1974. Global Tools, Archivio Piero Brombin e Valerio Tridenti. <b>Right</b>: A double pair of shoes made by Alessandro Mendini, Davide Mosconi, Nazareno Noia, and Franco Raggi at the first Body group workshop, “The body and constraints,” held in Milan in June 1975. Global Tools, CCA © Alessandro Mendini