Liam Gillick

Combining new and historical works Liam Gillick explores in the space of the Maureen Paley gallery the way groups develop their ideas in cohesion and tension with the individual.

Maureen Paley hosts the second solo exhibition at the gallery by Liam Gillick.

“The Thought Style Meets the Thought Collective” addresses time in relation to production and the development of creative communities. Combining works from the 1990s with new production the exhibition plays with the way groups develop their ideas in cohesion and tension with the individual.

Top: Liam Gillick, When Do We Need More Tractors? Five Plans (detail), dimensions variable, 1999. ©Liam Gillick, courtesy Maureen Paley, London. Above: Liam Gillick, The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 2, Maureen Paley, London 2015. © Liam Gillick, courtesy Maureen Paley, London

Drawing on anthropologist Mary Douglas’s interpretations of sociologist Ludwik Fleck, the exhibition juxtaposes works that were produced in collective environments in the 1990s with new structures and films produced alone. As such the exhibition reflects on the contradictions that arise between the individual and the group in relation to the production of art. The title of the exhibition refers to Fleck and Douglas’s investigation of the way a thought style links group members via their shared ideas, how they communicate and the methods they employ. These ideas affect the art’s subjectivity and are reflected in a series of new text works.

Liam Gillick, The Thought Style Meets The Thought Collective, exhibition view, first floor gallery, room 3, Maureen Paley, London, 2015. © Liam Gillick, courtesy Maureen Paley, London

A central work in the exhibition, A broadcast from 1887 on the Subject of our Time, was originally produced in 1996 and involved a “broadcast” directed towards a utopian community. The content of the broadcast is taken from Edward Bellamy’s book Looking Backward (1887), which includes an account of a radio broadcast before the invention of the medium.

Also included in the exhibition is a deployment of the work, When Do We Need More Tractors? Five Plans, 1999, a work where certain specific actions are outlined by the artist for others to fulfill. This work is combined with a new series of Discussion Platforms and a series of short films produced by the artist over the last two years.

Liam Gillick, <i>The Thought Style Meets The Thought Collective</i>, exhibition view, first floor gallery, room 3, Maureen Paley, London, 2015. © Liam Gillick, courtesy Maureen Paley, London
Liam Gillick, <i>The Thought Style Meets The Thought Collective</i>, exhibition view, ground floor gallery, room 1, Maureen Paley, London, 2015. © Liam Gillick, courtesy Maureen Paley, London
Liam Gillick, <i>When Do We Need More Tractors? Five Plans</i> (detail), dimensions variable, 1999. ©Liam Gillick, courtesy Maureen Paley, London


until November 22, 2015
Liam Gillick
The Thought Style Meets the Thought Collective

Maureen Paley
21 Herald Street, London