Prouvé Metropole Aluminum House

On the occasion of the 2011 FIAC Galerie Patrick Seguin presents for the first time Jean Prouvé's 8 x 12 meter aluminium Metropole House (Nancy-1949).

The Metropole House perfectly illustrates Prouvé's reseach on demountable architecture and nomadic housing, which he initiated on the eve of the Second World War and continued long after. This study more particularly took shape through the design of the 6x6 and 6x9 meter House, as well as through the Tropical House and the Ferembal House, which was exhibited last year during the 2010 FIAC in the Jardin des Tuileries.

Winner of a 1949 Ministry of Education competition for a "mass-producible rural school with classroom and teacher accommodation", the Ateliers Jean Prouvé built two of them, one in Vantoux in Moselle and the other in Bouqueval, near Paris. Like the school, the accommodation followed the portico principle patented by Prouvé in 1939 and used in a range of postwar programs, notably in the housing field. The Métropole House (architect Henri Prouvé) had been finalized in 1948. Adaptable to any site, it came in two sizes, 8x8 meters and 8x12 meters. The second of these, displayed at the Home Show in Paris in 1950, was the teacher's house. Its all-steel structure comprised two load-bearing portal frames which defined the interior space while leaving total freedom for the layout. The envelope used double-sided facade panels with integrated sash windows and shutters retracting into ribbed aluminum housings. There was also a glassed-in winter garden and a roof of juxtaposable aluminum roofing slabs. User comfort was given close consideration: the interior was easy on the eye, notably thanks to the use of wood, and temperature control went well beyond the standard specifications of the time. Despite Prouvé's keenness to become involved in housing production on a mass scale in the early 1950s, ultimately only fifteen examples of the Métropole House were built, mainly as part of the "Sans Souci" housing estate at Meudon-la-Forêt.
Jean Prouvé (1901–1984) was a twentieth-century pioneer in the innovative production of furniture and architecture. Son of one of the founders of the Ecole de Nancy and godchild of Emile Gallé, he was imbued with the creative philosophy of a group whose principal aim was an art/industry alliance offering access to all. Determined to be a man of his time, Prouvé explored all the current technical resources in metalworking, soon abandoning wrought iron for bent sheet steel: in the thirties he produced metal joinery, his early furniture, architectural components and knockdown buildings, all in small series. Of the opinion that "in their construction there is no difference between a piece of furniture and a house", he developed a "constructional philosophy" based on functionality and rational fabrication. Free of all artifice, the resultant aesthetic chimed with the doctrine of the Union of Modern Artists, of which Prouvé – with Le Corbusier, Pierre Jeanneret and Charlotte Perriand – was a founder member. The same principles were applied to the making of furniture – often intended for the public sector – and to the architecture of the postwar boom. Astute assembly systems for hardwearing structures meant that furniture and buildings alike could be readily dismantled, moved about and modified. The Prouvé blend of avant-garde spirit and humanist concerns has lost none of its relevance. The originality of his different periods is repeatedly rediscovered, from the first items for the University dormitory in Nancy in 1932 through those for a similar facility in Antony in 1954; the furniture for Africa; and the knockdown postwar schools and "little architecture machines" of the sixties. Working with the best architects, Jean Prouvé left his stamp on many famous examples of twentieth-century building, most of which are now classified historic monuments.

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