Photos of the process Giraffa Artificiale before the conservation treatment in Mudec’s laboratory

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Anna Laganà Courtesy of the J. Paul Getty Trust

Photos of the process Reconstructing some of the missing fragments on Giraffa Artificiale

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Samuele Pellecchia/prospect. Courtesy of the J. Paul Getty Trust

Photos of the process Some of the damaged areas before the conservation treatment

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Photos of the process Some of the damaged areas before the conservation treatment

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Photos of the process Some of the damaged areas before the conservation treatment

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Photos of the process Some of the damaged areas before the conservation treatment

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Photos of the process  Treating a crack

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà. Courtesy of the J. Paul Getty Trust

Photos of the process Recovering the transparency in the damaged area

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà. Courtesy of the J. Paul Getty Trust

Photos of the process Giraffa Artificiale after the conservation treatment

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Anna Laganà. Courtesy of the J. Paul Getty Trust