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Domus Domus

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Anna Laganà Courtesy of the J. Paul Getty Trust

Giraffa Artificiale before the conservation treatment in Mudec’s laboratory

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Samuele Pellecchia/prospect. Courtesy of the J. Paul Getty Trust

Reconstructing some of the missing fragments on Giraffa Artificiale

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Some of the damaged areas before the conservation treatment

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Some of the damaged areas before the conservation treatment

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Some of the damaged areas before the conservation treatment

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà Courtesy of the J. Paul Getty Trust

Some of the damaged areas before the conservation treatment

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà. Courtesy of the J. Paul Getty Trust

 Treating a crack

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Marco Demmelbauer and Anna Laganà. Courtesy of the J. Paul Getty Trust

Recovering the transparency in the damaged area

Photos of the process

Gino Marotta, Giraffa Artificiale, 1973, polymethylmethacrylate, Museo del Novecento, Milan. Photo Credit: Anna Laganà. Courtesy of the J. Paul Getty Trust

Giraffa Artificiale after the conservation treatment

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