All the art exhibitions not to miss in 2020

From Edward Hopper at Beyeler Foundation in Basel to the biennial of contemporary African art: the art exhibition calendar for the next year.  

Edward Hopper, Gas, 1940 Oil on canvas
66.7 x 102.2 cm
The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund

© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
© 2019 Digital image, The Museum of Modern Art, New York / Scala, Florence

Edward Hopper, Railroad Sunset, 1929 Oil on canvas 74.5 x 122.2 cm
Whitney Museum of American Art, New York; Josephine N. Hopper Bequest, Inv. N.: 70.1170. © Heirs of Josephine Hopper / 2019, ProLitteris, Zurich

Photo © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Wolfgang Tillmans, Jamaica Queen, still life, 2016

Courtesy of Galerie Buchholz, Berlin/Cologne

Wolfgang Tillmans, Philharmonie Bloch I, 2017

Courtesy of Galerie Buchholz, Berlin/Cologne

40x50 in (101, 6x126 cm)

Courtesy of the artist

Ximena Garrido Lecca, Yacimientos, 2013 Video HD 8’45”.
Still from video.

Steve McQueen, Charlotte, 2004 Frame 16mm film, continuous projection

© Steve McQueen. Courtesy l’artista, Thomas Dane Gallery and Marian Goodman Gallery

Steve McQueen, Static, 2009 Still from video. 35mm colour film, transferred to HD video, sound, 7 min 3 sec, loop.

© Steve McQueen. Courtesy the artist, Thomas Dane
Gallery and Marian Goodman Gallery

Chen Zhen, Precipitous Parturition, 1999 Installation view, Solomon R. Guggenheim Museum, New York, 2017-18

Courtesy, Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana
© ADAGP, Paris
Photo David Heald

Chen Zhen, Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000 Installation view, Kunsthalle Wien, Vienna, 2007

© Kunsthalle Wien, 2007
Pinault Collection
Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana
© ADAGP, Paris
Photo Daniel Moulinet

Christo, L'Arc de Triomphe, Wrapped (Project for Paris) Place de l'Etoile – Charles de Gaulle Drawing 2019 in two parts15 x 96" and 42 x 96" (38 x 244 cm and 106.6 x 244 cm), pencil, charcoal, pastel, wax crayon, enamel paint, architectural and topographic survey, hand-drawn map on vellum and tape.

Photo André Grossmann
© 2019 Christo

Christo, The Pont Neuf, Wrapped (Project for Paris), 1985 Graphite pencil, pastel, charcoal, wax pencil, ink and glue prints on paper glued on cardboard under Plexiglas window frame.
Diptych: 38 × 244 cm and 106,6 × 244 cm
Collection of the artist.

© Christo 1985
Foto © Centre Pompidou, Philippe Migeat

Niki de Saint Phalle. Tarot Garden. 1991 Lithograph, 23.7 x 31.5″ (60.3 x 80 cm).

© 2019 NIKI CHARITABLE ART FOUNDATION
Photo Ed Kessler

Niki de Saint Phalle. Tarot Garden, Garavicchio, Italy

© 2019 FONDAZIONE IL GIARDINO DEI TAROCCHI
Photo Peter Granser

Laeila Adjovi /Loic Hocquet 80 x 80cm
Grand Prize Léopold Sédar Senghor 2018

DAK’ART 2018

Colectivo Ayllu, It's not 50, it's 500 years of resistance. Ancestral and pleasurable sexualities, 2019 Photo-performance at Matadero, Madrid.

Courtesy the artist

Nowadays, it is impossible to count all the temporary exhibitions held over the course of a year all around the world. At the same time, it is difficult to tell what the best exhibition will be, but it is not impossible to imagine what will be the most relevant ones in 2020. On 26 January, a retrospective on the American artist Edward Hopper (1882-1967), whose iconic works on the American landscape have now become part of the collective imagination, will be inaugurated at the Beyeler Foundation in Basel. The exhibition, which will be held until 17 May, will display works from 1910 to 1960 and is expected to provide an important insight into the artist’s work. On February 1st do not miss the Wolfgang Tillmans exhibition at the Wiels museum in Brussels. You’ll be able to see the work of one of the best artists of our time, who looks at the world through photography, experimenting and pushing the boundaries of the medium. There will be photographs, some of which have never been shown before, videos and sound installations. During the same month, the 34th Sao Paulo Biennial, entitled “Faz escuro mas eu canto” (“Though it’s dark, still I sing”), will begin. During the biennial, as the curator Jacopo Crivelli Visconti says: “Brazil and Latin America are well represented, both in terms of the artists’ nationalities and the themes that they address [...] Special attention will be given to the power and importance of production within the expanded field of the African diaspora. In general, the 34th Biennial aims to shed light on productions that deserve more attention, such as contemporary indigenous art (Brazilian and other parts of the world) or art produced in the Caribbean”.

Laure Prouvost, Ring Sing and Drink for Trespassing, 2018. Installation view (2018) at Palais de Tokyo, Paris. Photo Aurelien Mole

Let’s move on from Sao Paulo to Sydney for another biennial, now in its 22nd edition. Called NIRIN (which means margin) and directed by Brook Andrew, artist and indigenous, the exhibition will open on March 14 and will continue until June 8, 2020. On the occasion of the 250th anniversary of Captain Cook’s voyage to Australia, the biennial aims to reflect on issues such as globalization, migration and populism, connecting local communities through an international network. Not to be missed is also the appointment with the Tate Modern, which is preparing to inaugurate a major exhibition dedicated to the great Steve McQueen, from 13 February to 11 May. The exhibition will present 14 works by the artist starting from his first film shot on Super8 film entitled “Exodus” (1992-97). A celebration of the pioneering activity of an extraordinary creator of moving images. The exhibition, in collaboration with Pirelli HangarBicocca, will then move to Milan where starting from 29 October. It is right at the HangarBicocca in Milan, from 9 April to 26 July, that a monumental exhibition on the work of Chen Zhen (1955-2000), curated by Vicente Todolì, will be inaugurated, presenting large-format installations. The works of the Chinese artist, who brought his own journey through the world within his practice (also coining the notion of trans-experience), will greatly impact the huge exhibition area in Milan.

From 18 March to 15 June, the Centre Pompidou will dedicate an exhibition to Christo and Jeanne-Claude. On this occasion the exhibition will retrace their Parisian period (from 1958 to 1964) and the history of the project of “Le Pont-Neuf empaqueté, projet pour Paris” (1975-85). The very first studies for the wrapping of the Arc de Triomphe date back to 1962 and almost sixty years later the work will be carried out starting from 19 September. Overseas, from 5 April to 7 September, the MOMA will dedicate a retrospective on Niki de Saint Phalle, a visionary artist who has addressed many issues such as women rights, climate change and HIV. The exhibition will focus mainly on her large outdoor sculptures and architectural structures, such as the enchanting project of the Tarot Garden in Capalbio (GR), which began in the late 1970s and has been open to the public since 1998. On May 14th, DAK’ART will hold the biennial of contemporary African art in the Senegalese capital, which will be open to the public until June 28th. This is one of the most interesting events on the African continent, which for this 14th edition, directed by El Hadji Malick NDIAYE, already aims, with its trilingual title (“I Ndaffa/forger/Out of fire”), to bring together the different elements that coexist within African creation and to offer new ways to tell and understand the continent. To conclude, between spring and summer 2020, the Louis Vuitton Foundation in Paris will present a retrospective on the work of Cindy Sherman, an artist whose ever-changing identity has been shown in front of the photographic lens since the 1970s and who, even during the Instagram era, is still one of the most interesting protagonists of the art world.

Edward Hopper, Gas, 1940 © Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
© 2019 Digital image, The Museum of Modern Art, New York / Scala, Florence

Oil on canvas
66.7 x 102.2 cm
The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund

Edward Hopper, Railroad Sunset, 1929 Photo © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Oil on canvas 74.5 x 122.2 cm
Whitney Museum of American Art, New York; Josephine N. Hopper Bequest, Inv. N.: 70.1170. © Heirs of Josephine Hopper / 2019, ProLitteris, Zurich

Wolfgang Tillmans, Jamaica Queen, still life, 2016 Courtesy of Galerie Buchholz, Berlin/Cologne

Wolfgang Tillmans, Philharmonie Bloch I, 2017 Courtesy of Galerie Buchholz, Berlin/Cologne

Courtesy of the artist

40x50 in (101, 6x126 cm)

Ximena Garrido Lecca, Yacimientos, 2013

Video HD 8’45”.
Still from video.

Steve McQueen, Charlotte, 2004 © Steve McQueen. Courtesy l’artista, Thomas Dane Gallery and Marian Goodman Gallery

Frame 16mm film, continuous projection

Steve McQueen, Static, 2009 © Steve McQueen. Courtesy the artist, Thomas Dane
Gallery and Marian Goodman Gallery

Still from video. 35mm colour film, transferred to HD video, sound, 7 min 3 sec, loop.

Chen Zhen, Precipitous Parturition, 1999 Courtesy, Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana
© ADAGP, Paris
Photo David Heald

Installation view, Solomon R. Guggenheim Museum, New York, 2017-18

Chen Zhen, Jue Chang, Dancing Body – Drumming Mind (The Last Song), 2000 © Kunsthalle Wien, 2007
Pinault Collection
Courtesy Galleria Continua, San Gimignano / Beijing / Les Moulins / Habana
© ADAGP, Paris
Photo Daniel Moulinet

Installation view, Kunsthalle Wien, Vienna, 2007

Christo, L'Arc de Triomphe, Wrapped (Project for Paris) Place de l'Etoile – Charles de Gaulle Photo André Grossmann
© 2019 Christo

Drawing 2019 in two parts15 x 96" and 42 x 96" (38 x 244 cm and 106.6 x 244 cm), pencil, charcoal, pastel, wax crayon, enamel paint, architectural and topographic survey, hand-drawn map on vellum and tape.

Christo, The Pont Neuf, Wrapped (Project for Paris), 1985 © Christo 1985
Foto © Centre Pompidou, Philippe Migeat

Graphite pencil, pastel, charcoal, wax pencil, ink and glue prints on paper glued on cardboard under Plexiglas window frame.
Diptych: 38 × 244 cm and 106,6 × 244 cm
Collection of the artist.

Niki de Saint Phalle. Tarot Garden. 1991 © 2019 NIKI CHARITABLE ART FOUNDATION
Photo Ed Kessler

Lithograph, 23.7 x 31.5″ (60.3 x 80 cm).

Niki de Saint Phalle. Tarot Garden, Garavicchio, Italy © 2019 FONDAZIONE IL GIARDINO DEI TAROCCHI
Photo Peter Granser

Laeila Adjovi /Loic Hocquet

80 x 80cm
Grand Prize Léopold Sédar Senghor 2018

DAK’ART 2018

Colectivo Ayllu, It's not 50, it's 500 years of resistance. Ancestral and pleasurable sexualities, 2019 Courtesy the artist

Photo-performance at Matadero, Madrid.