Tirana. 51N4E makes the void resurface at Skanderbeg Square

For a capital which is rebuilding its image, the Belgian office designs an anti-monumental square, shaped by the users choreographies.

Planned by a king, enlarged by a fascist regime in the 1920s, readjusted by a communist dictatorship in the post-war period, for more than a century Skanderbeg Square has represented the space par excellence for the self-celebration of the Albanian mighty in office. Far too many delusions of grandeur of several political orientations turned it into a huge (40,000 sqm), disproportioned, amorphous, lifeless void.

Img.1 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.2 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.3 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.4 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.5 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.6 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.7 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.8 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.9 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.10 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.11 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.12 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.13 51N4E, Skanderbeg Square, Tirana, Albania, 2017
Img.14 51N4E, Skanderbeg Square, Masterplan
Img.15 51N4E, Skanderbeg Square, Fountains system
Img.16 51N4E, Skanderbeg Square, Fountains water
Img.17 51N4E, Skanderbeg Square, Long Section
Img.18 51N4E, Skanderbeg Square, Schematic section
Img.19 51N4E, Skanderbeg Square, Axonometric detail
Img.20 51N4E, Skanderbeg Square, 101 Lakes
Img.21 51N4E, Skanderbeg Square, Base diagram

In the frame of the profound urban renewal promoted by mayor Edi Rama in the years 2000, 51N4E – who also designed the nearby TID Tower, completed in 2016 – seeks to transform this accidental leftover of over-planning into the “common ground” for the public life of democratic Albania.

In order to do so, the project defines a large central space, a rectangular void which is made clearly measurable and visible; it designs the shape – a low pyramid rising up towards its center – and the materials – slabs of local stones of different shades – of its ground; it densifies its boundaries, where more than 12 gardens act as spaces of mediation with the private and public buildings lining the square.

51N4E, Skanderbeg Square, Tirana, Albania, 2017

According to a seemingly random layout, water surfaces from the underground in the form of thin veils: the boundaries of the walkable areas are made uncertain, as passers-by invent unexpected detours and stopovers. It is a valuable strategy to create an overtly anti-rhetorical and anti-monumental public space, revealing itself primarily through the choreographies played by its inhabitants.

51N4E, Skanderbeg Square, trees plan
  • Tirana, Albania
  • 51N4E
  • public space
  • 2017
  • 2008
  • Johan Anrys, Freek Persyn, Peter Swinnen, Ulrike Franzel, Valbona Koçi, Griet Kuppens, Tom Baelus, Marc-Achille Filhol, Philippe Nathan, Emmanuel Debroise
  • Anri Sala
  • 2015
  • Johan Anrys, Freek Persyn, Sotiria Kornaropoulou, Alice Babini, Guillem Pons, Charlotte Schmidt, Martin Pujol, Jolein Bergers, Guillaume Boulanger
  • Gent Agolli, Guust Selhorst, Ajmona Hoxha, Ardian Rapo, Olsi Pere, Xhorxh Shkurti
  • Nicolas Vandenplas, Pieter Hollants, Jeroen Deseyn, Vincent Luscomb
  • Fusha, AL
  • Aquafontal, BE; Gatic, BE
  • Atelier Jeol, FR
  • Gentian Lipe, AL
  • 90.509 sqm
  • 23.993 sqm
  • 129.600
  • 13.000.000 euro