Fuensanta House

Muka Arquitectura’s ribbed concrete residence in Ciudad Real – a fortress-like block with three delicate glass boxes that run the height of the ocher facade – completes the “first piece of the urban puzzle” for a largely undeveloped area of the Spanish city.

Stone: Origins and Future in Architecture

On June 12 and 13, 2025, IUAV University of Venice will host "Stone is…," an international forum entirely dedicated to natural stone. Organized by PNA, this event aims to thoroughly explore the material's enduring value and sustainability, featuring insights from internationally renowned speakers.

Sponsored content

Just southeast of downtown Ciudad Real, the dense metropolis suddenly tapers off into a disquieting stretch of vacant lots.

An arrested development in the wake of Spain’s most recent economic crisis, this area now presents a blank slate to the enterprising architect in the absence of any typological point of reference.

The client gave only two, albeit peculiar, constraints: first, to provide a new experience of living in a house; and second, to have a viewpoint from the master bedroom of the house’s main spaces. In addition, the row-house type for future projects adjacent to the property required an abutment on both sides. MUKA did not want to completely cast this house in the mould of the other planned residences but also wanted to avoid a pretentious clash to the ‘urban melody’ envisioned around it.

The resulting homage to a classical Greek temple might initially suggest the brash, imposing heroicism of the region’s literary saint, Don Quixote, but the design proves remarkably about its wits. True to the client’s first wish, MUKA has eschewed conventional domestic features in favour of a more urban, adventurous presentation. The gabled frame of the bordering template has been employed as minimally as possible in two bookends, freeing the configuration of the space in between.

Double-height, glass volumes alternate with thin, transparent recesses along the façade, regulating the flow of natural light into the main atrium. Broken concrete volumes along the rear serve as a counterpoint to the front and offer compact, monastic bedrooms and studies à la Louis Kahn.

Striated, ochre walls lend a robust verticality to the exterior and – lit from the floor by LED strips – a cavernous ambience to the interior. A suspended catwalk divides the atrium and links the two ends on the upper level. The wider end houses the master bedroom – which enjoys a view over the common space, as requested – and opposite is located a sauna and staircase with roof access.

01 / 12