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More with Less: Cucinella in Florence
The formation of multi-disciplinary groups, in such a way as to integrate different kinds of knowledge in the field of architecture, together with research into an increasingly rational use of energy in buildings. These two elements form the basis of the work of Mario Cucinella who in 1992, after five years spent in Renzo Piano’s Building Workshop, opened his own practice in Paris, followed in 1999 by an office in Bologna.
The exhibition due to open in Florence at the Spazio di Santa Verdiana (running until 13 December) shows work from the early years, mainly research and competitions. Early designs show already an attention to the recurring themes of sustainability, technology, nature and energy conservation. The title of the exhibition is intended also in this sense, obtaining the maximum with the minimum use of energy and natural resources. According to Cucinella, something which is a categorical imperative and no longer just a possible alternative.
The profile of the seafront building at Otranto (1999) is characterised by the way it points towards the horizon, accentuating the notion of a building which forms the final built element before the sea begins.The use of stone from Lecce for both the building and the flooring, establishes a continuity with the old part of the city
The multi-functional complex (offices, shops and restautant), Hines in Milan (2001). The design consisted in a "wrapping" of the old post office (25 000 square metres) in a transparent shell, opening up the street facade with a cut which allows a glimpse of the internal courtyards
