Rintala Eggertsson’s contribution to the Biennale 2018 instills new forms of social interactions in the recreational area of Forte Marghera.
Kateřina Šedá, curator of the Czech and Slovak Pavilion, tells us about the UNES-CO project, a research-action that investigates the overcrowding of tourists and the emptying of city centers.
On display at the Ismar Institute of Marine Sciences in Venice, the new work by this photographer and film maker is the result of three years of expeditions to the Pacific Ocean in order to raise awareness of the condition of our seas.
Inspired by Gio Ponti in 1930, the design of the “Casa Elettrica” allows the house to be considered even more so as a kind of “condensed city” projected into the future. This event has inspired Edison today in its debut at the 16th International Exhibition of Architecture.
At the 2018 Venice Biennale, eleven construction experiments define the new identity of the Holy See’s architecture.
An interview with the curator of “Work, Body, Leisure”. The Dutch Pavilion at the Venice Architecture Biennale 2018 addresses architecture responsibility about new working conditions.
The director of the Academy of Architecture in Mendrisio tells us about his project at the Venice Architecture Biennale on algorithms and architecture, play and technology.
The Israeli Pavilion at the Venice Biennale analyses an invisible but powerful negotiation structure that lays beneath sacred sites in the Holy Land.
At the Philippine Pavilion, curator Edson Cabalfin invited several schools to analyse and speculate over today’s built environment in the Southeast Asian country.
At the Central Pavilion in the Giardini, Cino Zucchi has constructed an overview of Caccia Dominioni’s highly personal way of conceiving architecture.
The recent transformation of private spaces into semi-public areas represents a new model of urban planning for Tirana, where residents start from the ground floor in the re-conquering of their city.