Stephen Shore. Yesterday’s America at MoMA

Forty years before the rise of Instagram, Stephen Shore was taking pictures of everyday objects, unremarkable buildings, hotel rooms, people’s faces, unmade beds, and much more.

He started developing negatives from his parents when he was only 6, received his first camera when he was 9. At the age of 14 he called up Edward Streichen, then director of MoMA’s Department of Photography, and offered him to have a look at his work: Streichen said yes and bought three of his pictures. Forty years before the mind-blowing rise of Instagram, in March 1972, he started keeping a visual diary of his daily life, taking snapshots of everyday objects, unremarkable buildings, hotel rooms, people’s faces, unmade beds, and much more.

Stephen Shore, Graig Nettles, Fort Lauderdale, Florida, March 1, 1978. Chromogenic colour print, The Museum of Modern Art, New York. Acquired with matching funds from Blanchette Hooker Rockefeller and the National Endowment for the Arts, 1978. © 2017 Stephen Shore
Stephen Shore, U.S. 97, South of Klamath Falls, Oregon, July 21, 1973. Chromogenic colour print, The Museum of Modern Art, New York, The Photography Council Fund. © 2017 Stephen Shore
Stephen Shore, County of Sutherland, Scotland, 1988. Chromogenic colour print, The Museum of Modern Art, New York. Gift of Susan and Arthur Fleischer, Jr. © 2017 Stephen Shore
Stephen Shore, Gallatin County, Montana, August 2, 1983. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Merced River, Yosemite National Park, California, August 13, 1979. Chromogenic colour print, The Museum of Modern Art, New York. Gift of the artist, © 2017 Stephen Shore
Stephen Shore, Giverny, France, 1977. Chromogenic colour print, The Museum of Modern Art, New York. Gift of the Estate of Lila Acheson Wallace. © 2017 Stephen Shore
Stephen Shore, Breakfast, Trail’s End Restaurant, Kanab, Utah, August 10, 1973. Chromogenic colour print, The Museum of Modern Art, New York, © 2017 Stephen Shore
Stephen Shore, Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975. Chromogenic colour print, The Museum of Modern Art, New York. Acquisito da Thomas e Susan Dunn, © 2017 Stephen Shore
Stephen Shore, Lookout Hotel, Ogunquit, Maine, July 16, 1974. Chromogenic colour print, The Museum of Modern Art, New York. Acquired through the generosity of an anonymous donor,© 2017 Stephen Shore
Stephen Shore, West 3rd Street, Parkersburg, West Virginia, May 16, 1974. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Washington, D.C., November 1972. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, New York, New York, 1964. Gelatin silver print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Isaak Bakmayev’s Medals, Berdichev, Zhytomyrska Province, Ukraine, July 29, 2012. Chromogenic colour print, The Museum of Modern Art, New York. Gift of the artist. © 2017 Stephen Shore
Stephen Shore, Uman, Cherkaska Province, Ukraine, July 22, 2012. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Sderot, Israel, September 14, 2009. Chromogenic colour print, The Museum of Modern Art, New York. Gift of the artist, © 2017 Stephen Shore
Stephen Shore, Amarillo, Texas, July 1972. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Kanab, Utah, June 1972. Chromogenic colour print, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, Peqi’in, Israel, September 22, 2009. Chromogenic colour print, The Museum of Modern Art, New York. Gift of the artist © 2017 Stephen Shore

The MoMa presents the most comprehensive exhibition ever organized of photographer Stephen Shore’s work, on view from November 19, 2017. The exhibition tracks the artist’s full oeuvre chronologically, from the gelatin silver prints he made as a teenager through his days at Andy Warhol’s Factory to his current engagement with digital platforms.

Stephen Shore, 2nd Street, Ashland, Wisconsin, July 9, 1973, 1973. Stampa cromogenica a colori, © 2017 Stephen Shore, courtesy 303 Gallery
Stephen Shore, 1:35 a.m., in Chinatown Restaurant, New York, New York, 1965–67. Gelatin silver print, © 2017 Stephen Shore, courtesy 303 Gallery
  • Stephen Shore
  • Organized by Quentin Bajac, The Joel and Anne Ehrenkranz Chief Curator, with Kristen Gaylord, Beaumont and Nancy Newhall Curatorial Fellow, Photography Department
  • until 28 maggio 2018
  • MoMa
  • 11 West 53 Street, Manhatta, NY