Air Houses

For the Chicago Architecture Biennial, French architect François Perrin created an installation that references vernacular traditions and radical 20th century thinkers.

For the second edition of the Chicago Architecture Biennial, Los Angeles-based French architect François Perrin showcases the project “Air Houses: Design for a New Climate”. Throughout most of human history, architecture has developed in response to nature. From the writings of Vitruvius in ancient Rome to the indigenous design practices documented in Bernard Rudofsky’s 1964 book and exhibition Architecture without Architects, civilizations have traditionally built sustainably, using local materials and engineering techniques that work with – not against – landscape and climate. The birth of modernism changed all this. Even if the early ideas of the movement were concerned with air quality and light, the concept of an International Style – and the advent of air conditioning – turned architecture away from the environment and climate in the 20th century.

Img.1 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017
Img.2 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017
Img.3 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017
Img.4 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017
Img.5 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017
Img.6 François Perrin, <i>Air Houses: Design for a New Climate</i>, installation view, Garfield Park Conservatory, Chicago, 2017

  The postwar avant-garde proposed alternatives, such as Yves Klein’s “architecture of air” – which imagined traditional building materials replaced with air, water, and fire – and the techno-utopianism of Buckminster Fuller, which explored new forms and construction techniques and their connection to the environment. Yet a culture of mass consumerism continues to produce buildings disengaged with their context – at even greater environmental cost. “Air Houses: Design for a New Climate” looks back to look forward, referencing vernacular traditions and radical 20th century thinkers while prototyping a new direction for the design and fabrication of buildings. Suspended in the canopy, the Air Houses demonstrate a lighter, more flexible approach to building structures that not only provide shelter but also interact with climate conditions – accepting, rejecting, or repurposing sun, wind, and rain to optimize comfort and make the most of natural resources. They also provide a framework for plants to grow and become part of the architecture, reactivating the symbiosis between nature and structure.

Img.7 François Perrin, Air Houses: Design for a New Climate, installation view, Garfield Park Conservatory, Chicago, 2017


until 7 January 2017
François Perrin. Air Houses: Design for a New Climate
Chicago Architecture Biennial
Garfield Park Conservatory
300 N Central Park Ave, Chicago