Endless House

The MoMA’s exhibition highlights how artists have used the house to explore universal topics, and how architects have tackled the design of residences to expand their discipline.

Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection “Endless House: Intersections of Art and Architecture” considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists.

Top: Frederick Kiesler, Endless House, project, 1950–60. Exterior view of the model, 1958. Gelatin silver print, 5.4 x 20.3 cm. The Museum of Modern Art, New York. Department of Architecture and Design Study Center. Photograph: George Barrows. Above: Raimund Abraham, The House without Rooms, project, 1974. Elevation and plan. Colored pencil, graphite, and cut-and-pasted printed paper on paper, 87.9 x 96.8 cm. The Museum of Modern Art, New York. Gift of The Howard Gilman Foundation. © 2015 Raimund Abraham

The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, “Endless House” celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s “Endless House” design and images of its presentation in MoMA’s 1960 “Visionary Architecture” exhibition. Intriguing house designs – ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture – are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines.

Asymptote Architecture, Wing House, Helsinki, Project, 2011. Model: paper, cardboard, acrylic, and polystyrene, 45.7 × 45.7 × 30.5 cm. The Museum of Modern Art, New York. Purchase. © 2015 Asymptote Architecture
Mies van der Rohe, Farnsworth House, Plano, Illinois, 1945–51. Model: synthetic polymer paint, wood, metal, acrylic, sand, and paper, 76.8 x 153.4 x 107.3 cm. The Museum of Modern Art, New York. Purchase. © 2015 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
<b>Left</b>: Mario Merz, <i>Untitled</i>, 1988. Aquatint and drypoint. Plate: 69.9 x 49.6 cm, sheet: 80 x 61.2 cm. Publisher: Maximilian Verlag/Sabine Knust, Munich. Printer: Peter Kneubühler, Zurich. Edition: 30. The Museum of Modern Art, New York. Purchase. © 2015/ Artists Rights Society (ARS), New York / SIAE, Rome. <b>Right</b>: Haus-Rucker-Co, <i>Stück Natur</i> (Piece of Nature), 1973. Glass, moss, sand, plastic, paper, and hemp, 13.5 x 11.5 cm. The Museum of Modern Art, New York. Gift of the architect. © 2015 Haus-Rucker-Co
Hans Hollein, Beach House, project, 1963. Marker, graphite, and cut-and-pasted color reproduction on tracing paper, 39.4 x 55.6 cm. The Museum of Modern Art, New York. Philip Johnson Fund. © 2015 Hans Hollein
Preston Scott Cohen, Torus House, Old Chatham, New York, 1999–2003. Model: laser-cut paper laminate, epoxy resin, paint, and wood laminate, 25.4 x 91.4 x 78.7 cm. The Museum of Modern Art, New York. David Childs and Tracy Gardner Purchase Funds. © 2015 Preston Scott Cohen


June 27, 2015 – March 6, 2016
Endless House: Intersections of Art and Architecture
curated by Pedro Gadanho
The Museum of Modern Art
The Robert Menschel Architecture and Design Gallery, third floor
11 W 53rd St, New York