
“One Way: Peter Marino” begins with Hildebrandt’s Orphische Schatten (Orphic Shadows), a site-specific installation that employs hundreds of videotape strips culled from copies of Jean Cocteau’s classic film Orphée. Hildebrandt’s installation continues inside the museum galleries, plunging the Bass Museum’s “white cube” into shimmering darkness, extending Cocteau’s poetic play with imagery of mirrors and passageways to the Underworld. These corridors of tape guide visitors through a selection of works from Marino’s personal collection of contemporary art, including pieces by Loris Gréaud, Keith Haring, Richard Serra, Rudolf Stingel, and Andy Warhol, among others. The exhibition also features sections dedicated to Pop Art, iconic portraiture and photography, and Marino’s recently designed series of cast-bronze boxes that will be presented within leather-clad walls.
“One Way: Peter Marino” comes to a suitably mythological conclusion with the recreation of Christophe Willibald Gluck’s opera Orfeo ed Euridice. This work – a collaboration between Marino, his wife Jane Trapnell, Michal Rovner, Dior, Francesco Clemente and others – recreates the opera originally staged in Marino’s New York home in 2013 with sets designed by Marino himself. Artistic collaborations and privately commissioned performances such as Orfeo ed Euridice demonstrate Marino’s passion and continued drive to work with the most talented individuals in the visual and performing arts.

until May 3, 2015
One Way: Peter Marino
curated by Jérôme Sans
Bass Museum of Art
2100 Collins avenue
Miami Beach

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