The example of Las Negras elicits a considerate approach to the public element; the choice of materials has been decisive in consolidating the work within its urban interaction: the wood of the structure and the coverings of perimeter benches encourage a pleasant treatment favouring its consolidation. There is a symmetrical psychology in the human treatment that is here applied to the use and the form of the material as a means of the object’s expression.

This reflection refers to the natural elements, the sound of the sea, the material and shape of natural elements, the vegetation, the geological configurations, as well as the settings of interest.