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Days and Ages

Days and Ages is the title of Christodoulos Panayiotou’s new work and of the exhibition at Moderna Museet, the most extensive presentation of his oeuvre in Scandinavia to date.

Days and Ages

Christodoulos Panayiotou’s new work Days and Ages, produced by Moderna Museet, consists of a 320-square-metre ceramic floor for the exhibition with the same title. “Days and Ages” is the most extensive presentation of Christodoulos Panayiotou’s oeuvre in Scandinavia to date.

The archaeological finds in the port of Kyrenia, Cyprys, before being shipped to Stockholm, 1931, © Medelhavsmuseet

The exhibition title, “Days and Ages”, paraphrases the archeologist Einar Gjerstad’s Ages and Days in Cyprus (1933), a memoir of the Swedish Expedition, which conducted wide-ranging excavations on the island between 1927 and 1931.

Under an agreement between the Swedish government and the British colonial administration, half of the unearthed terracotta objects were shipped to Sweden. In 2009 while in Stockholm, Christodoulos Panayiotou (born 1978 in Limassol, Cyprus) researched the photographic archive associated with the Cyprus collection, now part of the Medelhavsmuseet collection in Stockholm.

The photographs constitute a starting point for “Days and Ages”, highlightening the role of archeological excavations in the construction of the image of Cyprus during the early 1920s, projecting backwards into antiquity.

Christodoulos Panayiotou, Installation view from Christodoulos Panayiotou -Days and Ages, 2013, © Photo: Åsa Lundén / Moderna Museet
Days and Ages is a large-scale ceramic floor made through the same process as for his work The Sea, presented at “dOCUMENTA (13)”. During the manufacture of the terracotta tiles in the artist’s birthplace, Limassol, pumped water was replaced with saltwater from the Mediterranean. In his choice of materials, Panayiotou emphasises the way in which national symbols serve as modern-day mythology engines, along with natural resources. 
Panayiotou’s oeuvre raises questions on how collective narratives are created and visually manifested. Once again, a ship with handmade terracotta objects leaves Cyprus for Sweden. When Panayiotou ships the terracotta tiles, he highlights how national identity is invented, exported and communicated across borders.
In the photographic groupings The Invention of Antiquity, The Invention of Tradition, and The Invention of Folklore (2011) Panayiotou examines the political rituals and ceremonies of Cyprus and shows how the country’s self-image was constructed during the turbulent period following the island’s independence in 1960. 
Christodoulos Panayiotou, Installation view from Christodoulos Panayiotou -Days and Ages, 2013, © Photo: Åsa Lundén / Moderna Museet

until April 27, 2014
Christodoulos Panayiotou
Days and Ages

Curated by Matilda Olof-Ors
Moderna Museet
Exercisplan, Skeppsholmen, Stockholm

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