Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2003

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2003

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2003

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018

Falling twice, Kinkaleri bring <OTTO> back to the stage After 15 years, the performance returns to the Centro Pecci in Prato. It is a continual rebound: from one part to the other of the space, from the actors to the viewers and vice versa.

Kinkaleri, “<OTTO>”, performance, 2018