Gilberto Zorio, Stella, 1978, mixed media on paper (Left); Gilberto Zorio, Stella, 1991, aluminum, javelin, iron, lamp (Right).

Giulio Paolini, Amore e Psiche, 1981, photo emulsion on canvas, stretchers, colored fabrics (Left); Mario Merz, Pittore in Africa (Painter in Africa), 1984, iron, wire mesh, neon (Right).

Jannis Kounellis, Untitled, 1989, wood column, shoes, lead insoles

Mario Merz, From Continent to Continent, 1993, slate, neon, metal structure (Center); Jannis Kounellis, Untitled, 2001, steel sheet, oil lamps, books, lead, jute, blanket, tin (Left); Jannis Kounellis, Untitled, 1986, iron, lead, oil lamp (Right)

Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel. In the reflection, Luciano Fabro, Efeso II, 1986 (Foreground); Alighiero Boetti, Oggi nono giorno dodicesimo mese dell'anno 1000 nove 100 ottantotto, 1988 (Background)

Giulio Paolini, Mimesi, 1976-1988, two plaster casts, two wooden bases (Center); Mario Merz, Untitled, 1982, taxidermic reindeer head, neon Fibonacci numbers (Left); Giulio Paolini, De Pictura, 1977-1978, pencil, collage, and nails on prepared canvas (Right).

Luciano Fabro, Italia all’asta, 1994, painted iron, metal rod

Giulio Paolini, Saffo,1981, photographs and plexiglass (Center); Giovanni Anselmo, Senza titolo, 1990, granite slab, gunnysack, steel cable, and slipknot (Left); Alighiero Boetti, Clino, 1966, enamel on wood (Right); Alighiero Boetti, Mazzo di tubi, 1966, PVC pipes. (Far Right)

Luciano Fabro, Efeso II, 1986, marble and steel cable (Hanging center); Michelangelo Pistoletto, Art International (ritratto di Maximilian von Stein), 1968, silkscreen print on polished stainless steel (Left); Mario Merz, Che fare?, 1968-1973, neon, wax, aluminum pot, copper handles (Left Floor); Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel (Right)

Marco Anelli, Costruendo Magazzino: Calcestruzzo #02, 2017, Archival pigment print

Luciano Fabro, Efeso II, 1986, marble and steel cable. (Hanging center); Luciano Fabro, Due nudi che scendono le scale, 1987-1989, Bardiglio marble (Far Left); Alighiero Boetti, Caterina e Alighiero, 1989, embroidered tapestry (Far Left Wall); Michelangelo Pistoletto, Sfera di giornali, 1966-1996, newspapers on wood base (Left); Michelangelo Pistoletto, Sfera di giornali, 1962-2009, silkscreen print on polished stainless steel (Left wall); Michelangelo Pistoletto, Art International (ritratto di Maximilian von Stein), 1968, silkscreen print on polished stainless steel (Right wall); Mario Merz, Che fare?, 1968-1973, neon, wax, aluminum pot, copper handles (Right Floor); Michelangelo Pistoletto, Adamo ed Eva, 1962-1987, silkscreen print on polished stainless steel (Far Right)

Luciano Fabro, Eos (L’Aurora), 1998, two elements: Fior Di Pesco Carnico marble and Marquina marble. Jannis Kounellis, Senza titolo, 2003, steel, burlap sacks, charcoal, coat, and hooks (Back Wall); Luciano Fabro, Basta la vista, 1988, perforated metal structure, brass plate, and metal chain (Right)

Giulio Paolini, Mimesi, 1976-1988, plaster casts on wood bases (Center); Giulio Paolini, Appunti per la descrizione di un quadro datato 1972, graphite on prepared canvas (Left); Mario Merz, Senza titolo, 1982, taxidermic reindeer head and neon (Back Wall)

Giulio Paolini, Mimesi, 1976-1988, plaster casts on wood bases