The sprawling intervention develops from a grid based on the form of a chair, which is multiplied as a matrix and then extended throughout the space. By adding a room divider and tables in two different heights, Faustino has generated a set of “furniture” that oscillates between utilitarian object and sculpture, creating an interior space within the outdoor space, a “home” in the city. The serial arrangement translates the domestic interior into a collective apparatus for the use of passers-by.