
The project may be interpreted as a melancholic and poetic allegory of the Israeli story – one composed of miraculous acts and moments of enlightenment as well as neglect and destruction, a story vacillating between a megalomaniac soaring to great heights and a resounding crash. The divine miracle in the Ayalon Valley is related here to the Zionist project of conquering a seemingly barren wilderness, alongside expressions of technological progress and the mold agriculture. However, taken together, these works create a narrative that may also be read as a post-apocalyptic vision, revealing the cost of human hubris in the enterprise of civilization.

until 26 November 2017
Gal Weinstein: Sun Stand Still
curated by Tami Katz-Freiman
Israeli pavilion
57. Esposizione Internazionale d’Arte – La Biennale di Venezia

Design and ceramics renew a shopping center
FMG Fabbrica Marmi and architect Paolo Gianfrancesco, of THG Arkitektar Studio, have designed the restyling of the third floor of Reykjavik's largest shopping center. Ceramic, the central element of the project, covers floors, walls and furniture with versatile solutions and distinctive character.