Martin Waltersdorph Nielsen, Mathias Waldersdorff Bugge, Sara Strandby Braae and Niklas Søndermølle Frandsen, Le Cool. The piece shows how digital fabrication technology can be used to create an amorphous shape in the scale of a concrete panel, using lightweight clay aggregate LECA, robotic hotwire cutting and CNC milling.
Martin Waltersdorph Nielsen, Mathias Waldersdorff Bugge, Sara Strandby Braae and Niklas Søndermølle Frandsen, Le Cool, "History as Catalyst"
Master Students of Studio Tectonic Culture, The Milan Pavillion. The project is the precursor for a 100 sqm building that is to be built in the center of Aarhus K, that explores the potentials of ’the regional’ and ’the vernacular’ in future architectural practice and innovation within sustainable construction
Master Students from Digital Transformation Studio, The Spine. The piece explores the material qualities of artificial straw and the potential of the historic building techniques of thatching, a craft which has been passed on from generation to generation
Elizabeth Donovan, One Hundred Years. One hundred hanging acrylic squares represent the historical narrative of one hundred years of sustainable architecture: each transparent square is an ink-transfer of the abstract representation of sustainable history.
Asbjørn Staunstrup Lund, The Fairy Tale Of Mærsk. A tool to discover unknown necessity that is the core potential of using the narrative as a catalyst for creating an architectural program
12–17 April 2016
History as Catalyst
Aahrus School of Architecture
Ventura Lambrate, Milan