The Parrish Art Museum has organized an exhibition featuring two notable figures in American art who abandoned the Abstract Expressionism of the 1950s New York art scene to fundamentally reinvent traditional landscape and still-life painting based on highly individual approaches to representation.
Seen and Unseen
The exhibition at Parrish Art Museum explores the parallels and divergences in the work of Jane Freilicher and Jane Wilson, who reinvented traditional landscape and still-life painting
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- 22 October 2015
- New York
“Jane Freilicher and Jane Wilson: Seen and Unseen” examines the work of the two artists from the beginnings of their careers in New York, considering their proximity in the Long Island hamlet of Water Mill, where they lived and worked within a mile of one another for 50 years.
Organized thematically, the exhibition also shows how the storied light and natural beauty of Long Island’s East End became a primary focus of, and major influence on the work of Freilicher and Wilson, close friends whose professional and personal lives converged and diverged over the course of their lives.
The exhibition at the Parrish, spanning the full range of the artists’ explorations of landscape, still life, and portraits from the 1950s through 2007, reveals how each pushed the boundaries of traditional approaches to create highly individual accounts of the world around them. “Jane Freilicher and Jane Wilson: Seen and Unseen” features approximately 20 paintings by each artist as well as works on paper, plus portraits of the two women painted by Fairfield Porter and Alex Katz, and photographs by Wilson’s husband John Jonas Gruen, chronicling the women’s lives.
October 25, 2015 – January 18, 2016
Jane Freilicher and Jane Wilson
Seen and Unseen
Parrish Art Museum
279 Montauk Hwy, Water Mill, NY