Ayreen Anastas, Rene Gabri

The Showroom presents “Let it not be said they were naively, fearfully, simply, just making art”, devoted to Ayreen Anastas and Rene Gabri, with friends.

Ayreen Anastas, Rene Gabri
“Let it not be said they were naively, fearfully, simply, just making art” at The Showroom, in London, is not an exhibition per se, nor is it a research process made public, nor a collection of screenings or performances, or talks or pedagogical experiments.
It may at times resemble all of these, or borrow from their grammar, but it begins with the premise that we have entered another time.
Ayreen Anastas, Rene Gabri
Top: Ayreen Anastas, Rene Gabri, The land flowing with milk and honey, 2014. Above: Ayreen Anastas, Rene Gabri, Money is dead, 2014
As the artists write: “It is a time when all of these forms and their processual reproduction (within an ever more biocidal capitalist political-economy) not only contribute to the proliferation of devastation and dispossession, but more precisely become an alibi, lubricant, or liturgy for it.”
“Let it not be said…” has the aspiration to open up a horizon of the common(s) and to interrogate the social power and social relations that money bestows and imposes.
Ayreen Anastas, Rene Gabri
Ayreen Anastas, Rene Gabri, The enigma of money, 2014
The elements that will compose this “errant line” or “agitational time machine” into the contemporary will accrue or alter over time, but there will be some provisional anchors: a continuous film altered daily, a film refusing to be finished, to delimit or to disclose its subjects or objects; some traces wandering through the infinite paths of the common(s), an exhibition that is not an exhibition (of works) especially, because work itself is being revoked here, but rather as a spatialisation and materialisation of ideas, questions, encounters, and vulnerabilities; London common(s) course, a sister course to the common(s) course organised at 16 Beaver Street in New York entitled “Commoning the City and Withdrawing from the Community of Money”.
Ayreen Anastas, Rene Gabri, <i>Money is dead</i>, 2014
Ayreen Anastas, Rene Gabri, The walls within, 2014

Until March 29, 2014
Ayreen Anastas, Rene Gabri, with friends
Let it not be said they were naively, fearfully, simply, just making art

The Showroom
63 Penfold Street, London

Tomorrow's energy comes from today's ideas

Enel extends the date to join the international “WinDesign” contest to August 30, 2025. A unique opportunity to imagine the new design of wind turbines.

  • Sponsored content

Latest on News

Latest on Domus

Read more
China Germany India Mexico, Central America and Caribbean Sri Lanka Korea icon-camera close icon-comments icon-down-sm icon-download icon-facebook icon-heart icon-heart icon-next-sm icon-next icon-pinterest icon-play icon-plus icon-prev-sm icon-prev Search icon-twitter icon-views icon-instagram