Micromort, the death-based currency project

With a touch of dark humour, a group of young designers interactively represent the different value given to death in different corners of the world.

Micromort at the Lost Graduation Show Micromort is an imaginary currency that relates nationality to the economic and social value of death. “The project aims to highlight how death has a different social value depending on where it occurred or who was involved”.

Micromort at the Lost Graduation Show The price of every single death in the world is calculated thanks to an algorithm that collects and processes more than 21,000 data points from accessible public databases from: World Health Organization, Global Health Data Exchange, Country Economy, World Data Bank, Population Pyramid and Index Mundi

Micromort at the Lost Graduation Show During the design of the monolith, based on User Centered Design, “the user was involved from the definition of the structure, and it is also thanks to the answers received from the more than 240 people who filled in the form that we were able to create an effective and efficient communication product”.

Micromort at the Lost Graduation Show The touch screen interface consists of a three-dimensional globe, a timeline and a list of countries. By navigating the 3D globe, the user can view the data collected country by country, while a series of pop-up windows inform the user about price changes and the number of deaths over time, and “alerts” provide further information on 8 particular case studies.

Micromort at the Lost Graduation Show The interaction focuses on eight sample historical events chosen by the team to be as varied as possible in time and place: 2001 Twin Towers, USA; 2004 tsunami, Sri Lanka; 2010 earthquake, Haiti; 2011 civil war, Libya; 2012 civil war, Syria; 2014 war, Iraq; 2015 Donbass War, Ukraine; 2016 Nice Massacre, France. 

Micromort at the Lost Graduation Show Having to deal with the consequences of Covid-19 in the process, the team decided to juxtapose the “price of death” to objects that proved particularly necessary during the pandemic: “Surgical masks, gloves, hand sanitiser, swabs, water and soap are just some of the symbolic elements from 2020: each has become indispensable to protect people from coronavirus, but on the other hand each of them also has a price that varies from country to country. In Italy, for example, surgical masks are priced at €0.60. The price of the Italian Micromort is currently 42.65 euros. So, death, and consequently life, is worth 71 times a surgical mask in Italy”.

Micromort at the Lost Graduation Show

Do you remember those mysterious monoliths that began to appear in the late 2020s, first in the Utah desert and then in various places around the world, from Romania to Holland and the Isle of Wight? In the same year, at the height of the pandemic, six students from Politecnico di Milano were also designing their own monolith during the final workshop of their third year of Communication Design. Their reflection, carried out in the context of Speculative Design, did not concern alien life forms or coded messages, but a theme that was tragically a lot closer to Milan at that time: death.

Micromort is an imaginary currency that assigns an economic value to accidental deaths in relation to the nationality of each victim. The team of six students decided to structure its speculation starting from Hades 2.0, a simple algorithm, designed especially, which takes into account “the number of deaths from non-natural causes in a given country, the GDP per capita and the total population of that country”, working with a very rich database, which draws from the public databases of organisations such as the World Health Organization or the World Data Bank, processing a total of 21,000 data points.

Micromort, exhibited this year at the Lost Graduation Show, at Supersalone (Salone del Mobile), was created by six students (Alvise Gregorio Aspesi, Carlotta Bacchini, Elisa Carbone, Pietro Forino, Davide Perucchini, Enzo Giovanni Taboada Fung) as the final work of the Communication Design course at Politecnico di Milano.

Rather than defining a value that must include an almost infinite number of variables, Micromort is to be understood as the starting point for the construction of a “communication machine” designed, programmed and built entirely by the six students: a “stock exchange monolith” consisting of 16 screens and 4 LED strips, coordinated by 4 Arduino boards, and a touch monitor through which visitors can consult a wide range of data displays and draw their own conclusions. How does the value of life change, or rather what is the price of death state by state? And how do factors such as media coverage or cultural and territorial proximity affect our perception of the value of catastrophes?

The aim of the workshop is to “create projects that go beyond the academic environment and resonate with a real audience”, and in fact the Micromort monolith was displayed during “The Lost Graduation Show”, one of the most eagerly awaited exhibitions at the Supersalone. As Giacomo Scandolara, one of the lecturers who supervises the projects together with Francesco Ermanno Guida, Pietro Buffa and Andrea Braccaloni, acknowledges, “exhibitions are very useful for stressing prototypes”.

In the presence of the monolith, between the writings scrolling on the LEDs and the video images from a series of sample events near and far, such as the attack on the Twin Towers (2001), the tsunami in Sri Lanka (2004), the earthquake in Haiti (2010), the civil wars in Libya (2011) and Syria (2012), the wars in Iraq (2014) and the Donbass (2015), and the terrorist massacre in Nice (2016), one actually gets a sense of how quickly and unexpectedly the price of death can vary, not only from state to state, but also from year to year.

Micromort is a speculative design project. The “stock exchange monolith” consists of four LED strips, four Arduino boards, a desktop computer - dedicated to the touch monitor - and six BrightSigns to control and synchronise the 16 monitors.

As the Micromort team was forced to acknowledge in the process: “when the project was conceived, Covid was still unheard of, yet the first thing we asked ourselves when the pandemic took hold was precisely how the price of death would change, and what impact Covid would have on the Micromort ecosystem”. Nothing could be more fitting at a time when governments found themselves literally finding a compromise between the level of economic activity, restrictions on social freedom and the number of deaths the state was willing to accept. In view of the climate catastrophe and the increasingly frequent extreme weather events, tools such as data visualisation and analysis, as well as their dissemination through experience design, could prove a useful contribution to a growing awareness that is now more necessary than ever.

For this reason, the Micromort team is open to future collaborations. One of the goals is to expand the monolith's capabilities by introducing the possibility of consulting “live data and real-time fluctuations”. The team would also like to make the project available to “data analysts, or experts who can enable us to discover data patterns that we haven't yet identified”. For anyone wishing to join the project, all developments will be made available at micromort.org.

Micromort at the Lost Graduation Show

Micromort is an imaginary currency that relates nationality to the economic and social value of death. “The project aims to highlight how death has a different social value depending on where it occurred or who was involved”.

Micromort at the Lost Graduation Show

The price of every single death in the world is calculated thanks to an algorithm that collects and processes more than 21,000 data points from accessible public databases from: World Health Organization, Global Health Data Exchange, Country Economy, World Data Bank, Population Pyramid and Index Mundi

Micromort at the Lost Graduation Show

During the design of the monolith, based on User Centered Design, “the user was involved from the definition of the structure, and it is also thanks to the answers received from the more than 240 people who filled in the form that we were able to create an effective and efficient communication product”.

Micromort at the Lost Graduation Show

The touch screen interface consists of a three-dimensional globe, a timeline and a list of countries. By navigating the 3D globe, the user can view the data collected country by country, while a series of pop-up windows inform the user about price changes and the number of deaths over time, and “alerts” provide further information on 8 particular case studies.

Micromort at the Lost Graduation Show

The interaction focuses on eight sample historical events chosen by the team to be as varied as possible in time and place: 2001 Twin Towers, USA; 2004 tsunami, Sri Lanka; 2010 earthquake, Haiti; 2011 civil war, Libya; 2012 civil war, Syria; 2014 war, Iraq; 2015 Donbass War, Ukraine; 2016 Nice Massacre, France. 

Micromort at the Lost Graduation Show

Having to deal with the consequences of Covid-19 in the process, the team decided to juxtapose the “price of death” to objects that proved particularly necessary during the pandemic: “Surgical masks, gloves, hand sanitiser, swabs, water and soap are just some of the symbolic elements from 2020: each has become indispensable to protect people from coronavirus, but on the other hand each of them also has a price that varies from country to country. In Italy, for example, surgical masks are priced at €0.60. The price of the Italian Micromort is currently 42.65 euros. So, death, and consequently life, is worth 71 times a surgical mask in Italy”.

Micromort at the Lost Graduation Show