A tennis match in a church

Artist Asad Raza uses headquarters of the architectural firm CLS Architetti to play tennis.

Even better than tech giants headquarters in California’s Silicon Valley (with pools, balinese soccer...). The CLS architecture studio hosts performance and art exhibitions. The last is a tennis court, by Asad Raza. Pavement, lines, nets, racquets, jasmine, fragrance and coaches: all you need to play tennis.

Fig.1, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017
Fig.2, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017
Fig.3, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017
Fig.4, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017
Fig.5, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017
Fig.6, Asad Raza, Untitled (Plot for dialogue), installation view, San Paolo Converso church, Milan, 2017

Visitors to Untitled (plot for dialogue) become more than spectators — practicing with the coaches, they inhabit their bodies in coordinated action. Players respond to each other through the medium of the ball and the plot of the court. The piece places the experience of play above purely visual appreciation, as the back-and-forth of tennis exchanges produces meditative beauty through actions never to be repeated.

  • 3 November – 16 December 2017
  • Arad Raza
  • Untitled (plot for dialogue)
  • San Paolo Converso church
  • piazza S. Eufemia, Milan